Two dysfunctional couples are terrorized by a group of violent individuals during a vacation at a modern desert home.
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The “Summer Camp” horror trilogy was one of the most popular franchises of the 1980s. However, the decade ended and so did director Julian Barrett’s career. Now Barrett plans to resurrect his gory series via a modern reboot patterned after reality filmmaking. With his former leading lady and an eclectic group of 10 young “contestants,” Barrett returns to the same locale where his old splatter-fests were filmed. When one of the campers is found savagely murdered, they realize there’s more at stake than just fame and fortune. Each of them is in a fight for their lives as they realize summer is over – forever.
Irene is a fifteen-year-old who lives in a center for juvenile offenders. She just got pregnant and is determined to turn her life around with the help of Javier, an educator at the center. Javier offers her to secretly come live with him and his wife Adela in the house they have in a remote and rugged spot in the mountains so she can hide and comfortably carry out her pregnancy. The only condition is that in exchange, she agrees to give them the baby she is carrying in her womb. This feeble pact will be put in jeopardy when Irene starts to feel like the life growing inside her belongs to her.
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Shortly after a chemical weapon explosion in the Nevada desert, two scientists find themselves confronting a sinister cover up, and a band of hostile survivors who are looking to escape the quarantined area known as Territory 8.
Jacques Duval devises a fiendishly clever method of murdering his wife. Doping her up with sleeping tablets, Duval places his wife in a sealed room, then opens all the gas jets. While the police identify the body, Duval remains hidden in the room, breathing through a snorkel, then makes his escape when the authorities leave. Only one flaw in this perfect crime: Duval’s stepdaughter (Mandy Miller) is the suspicious type.
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