SF stripper Champagne White (multi-hyphenate talent D’Arcy Drollinger) is expecting her boyfriend Rod to pop the question; when he instead tells her of a secret plot involving booty bumps and the world’s largest retail store, it’s up to the intrepid ecdysiast to save the day. With a lo-fi ’70s exploitation film aesthetic and a John Waters-esque sense of the absurd and outrageous, Drollinger adapts his wildly successful stage show for the big screen, featuring extraordinary talent from the world of drag, including Alaska 5000 from RuPaul’s Drag Race.

Tine, a college student, wants to get rid of a gay admirer and his friends recommend that he find a fake boyfriend: Sarawat. But Sarawat is hard to come by. Until he finally accepts. The two become close and intense emotions soon erupt. As Tine and Sarawat enter the second year of their relationship, they also begin to take on greater responsibilities in college with the former as the new president of the cheerleading club and the other as the new president of the music club.

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During a local fishing contest, people are being mysteriously dragged into the lake and killed by a giant fish hook. After a sufficient number of deaths, the killer is finally revealed.

A caring daughter, a laid-back mother, a popular teacher, a wife you are thick as thieves with – Joanna – is outstanding in each of these roles. But in none of them does she feel like herself. That is why she leads a double life. She has a secret she shares with no-one.

Funeral home is the last stop of the deceased ones. This is also where `turn undead` take place, the ritual that purifies the soul. The soul hasn‘t gone through the ritual is usually a haunting one. They still have things undone in human world. In order to finish that, they usually do something disturbing which led to supernatural incidents. Three seemingly seperate stories happen at funeral home intertwine.

After a friend overdoses, Spoon and Stretch decide to kick their drug habits and attempt to enroll in a government detox program. Their efforts are hampered by seemingly endless red tape, as they are shuffled from one office to another while being chased by drug dealers and the police.

When the 1989 “one-hit-wonder” glam-metal band “Sonic Grave” embark on a trip to Coachella in hopes of a comeback, their peyote trip pit stop in Joshua Tree incites an “unworldly” viscous attack, and they must “rock” themselves out of harms way.

A group of teenagers film a live documentary on the Sickhouse legend to millions around the world. Stealth launched on Snapchat and experienced by millions, Sickhouse is a “made for mobile” horror thriller.

Ten-year-old Mrs. McCutcheon is having trouble fitting in at a new school until meeting Trevor, a tough little charmer who also suffers prejudice due to his Aboriginal heritage. With the school dance only days away, the two must navigate the pressures of school and family and find the courage to be who they are.

By accident, Colleen Gibson shoots and kills her gold-digging cheating boyfriend, Dick, a private eye who happens to have a hitman on his tail. Danny the hitman works for his brother-in-law, a cheerful but nasty Irish mobster, hasn’t actually killed anyone, and wants to be a singer. He falls for Colleen. she likes him, too. He can solve her problem (Dick’s body), she can solve his (meeting the mobster’s demands that he kill people like Dick). Danny has an ex-girlfriend, who might still hold the key to his heart, two cops are sniffing around for Dick, a junk yard owner gets a conscience, and a talent show is coming up. Bullets, music, and true love are set to collide.

A wedding at her parents’ Annapolis estate hurls high-strung Lynn into the center of touchy family dynamics.