The daughter of a late comic is forced to confront her fears of performing.
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Welcome to Riverworld, a place of strange, watery beauty and the current abode of a fascinating cast of the recently (and not-so-recently) dead. It certainly isn’t Heaven, but it just might be Hell.
To take down South Boston’s Irish Mafia, the police send in one of their own to infiltrate the underworld, not realizing the syndicate has done likewise. While an undercover cop curries favor with the mob kingpin, a career criminal rises through the police ranks. But both sides soon discover there’s a mole among them.
Based on a Japanese manga, “Kanna-San, Daiseikou Desu,” this story revolves around Kang Han-na (Kim Ah-jung), an overweight phone sex employee and secret vocalist for Ammy, a famous Korean pop singer who actually lip syncs as she cannot sing. After getting humilitated publicly by an ungrateful Ammy, Han-na undergoes an extreme makeover to become a pop sensation herself.
In the massive city of Tokyo, Kumiko, a twenty-nine year old, lives in utter solitude. She works a dreadful, dead-end job under an awful boss, is intimidated by her well-off peers, and nagged incessantly by her overbearing mother who is exasperated by the fact that her daughter is not married or even in a relationship. The only joys in her life come from a grainy VHS tape – an American film in which a man buries a satchel of money in the snowy Midwestern plains – and her beloved pet rabbit, Bunzo. Kumiko is somehow convinced that this treasure is real, and obsesses over its discovery. With a hand-stitched treasure map and a quixotic spirit, Kumiko embarks on an incredible journey over the Pacific and through the frozen Minnesota wilderness to uncover a purported fortune.
After her Nazi parents are imprisoned, Lore leads her younger siblings across a war-torn Germany in 1945. Amidst the chaos, she encounters mysterious Jewish refugee Thomas, who shatters her fragile reality with hatred and desire. To live, she must trust someone she was taught to hate and face the darkness within herself.
Karl, a sixth year student preparing to sit his Leaving Cert exams, becomes the target of a gang of bullies. With no support from his family and no friends to turn to, Karl falls victim to the psychological manipulation of a school teacher and soon turns to social media as a form of escapism where he develops an online friendship with a woman.
Voivode Michael the Brave travels through time, together with his wife, discovering, deeply touched, the new world.
A young officer returns to his base after a daring mission. The cook’s assistant, a religious Holocaust survivor, is envious of him. He believes that there is a place in heaven reserved for the brave officer who endangers his life for the sake of his Jewish brethren. The officer, in the spirit of the Zionist ethos, is secular and a non-believer. At the moment, he is so hungry that, for a plate of shaksuka, he is prepared to sign a contract transferring his secured place in heaven to the cook. Some forty years later, the present time of the movie, the tables have turned – the officer, now a retired general, is on his death bed in the hospital. His son who, to his father’s horror, has found religion, is in a race against time. Before his father dies, he has to find that cook’s assistant who, forty years earlier, bought his place in heaven. If and when he finds him, the son has to nullify the contract. If he doesn’t, his father will go to hell.
Noah must leave her city, boyfriend, and friends to move into William Leister’s mansion, the flashy and wealthy husband of her mother Rafaela. As a proud and independent 17 year old, Noah resists living in a mansion surrounded by luxury. However, it is there where she meets Nick, her new stepbrother, and the clash of their strong personalities becomes evident from the very beginning.
A once-promising doctor begins a downward spiral, finding himself in opium dens, a carnival freak show, and drugs parties.
The Founding of a Republic is a Chinese historical film commissioned by China’s film regulator and made by the state-owned China Film Group (CFG) to mark the 60th anniversary of the People’s Republic of China. The film retells the tale of the Communist ascendancy and triumph.