Maggie, an alluring free spirit who won’t let anyone – or anything – tie her down. But she meets her match in Jamie, whose relentless and nearly infallible charm serve him well with the ladies and in the cutthroat world of pharmaceutical sales. Maggie and Jamie’s evolving relationship takes them both by surprise, as they find themselves under the influence of the ultimate drug: love.

Ava uncovers the whereabouts of her missing father to an unchartered Island; a mythical lost world uncovered before them by her grandfather. Joined by a group of adventurers and scientists, they arrive at Jurassic Island where it becomes clear that the previous team had run into disaster. Dinosaurs and toxic leeches mean it’s no longer a search for her father, but a battle for survival.

The Côte d’Azur. 1915. In his twilight years, Pierre-Auguste Renoir is tormented by the loss of his wife, the pains of arthritic old age and the terrible news that his son Jean has been wounded in action. But when a young girl miraculously enters his world, the old painter is filled with a new, wholly unexpected energy. Blazing with life, radiantly beautiful, Andrée will become his last model, and the wellspring of a remarkable rejuvenation. Back at the family home to convalesce, Jean too falls under the spell of the new, redheaded star in the Renoir firmament. In their Mediterranean Eden – and in the face of his father’s fierce opposition – he falls in love with this wild, untameable spirit… and as he does so, within weak-willed, battle-shaken Jean, a filmmaker begins to grow.

Kentaro is an unsocial 35-year-old who lives with his parents and has never dated a woman. When Kentaro’s parents set up an arranged marriage interview with a girl named Nahoko and her parents, he falls in love for the first time in his life. However, the pair soon run into unexpected obstacles. Nahoko is vision impaired and can’t seem to break free of her doting parents. Meanwhile, Kentaro has no idea how to deal with the surge of new emotions he’s feeling.

Known as America’s Poet, Henry Wadsworth Longfellow leads an idyllic life – until the day his world is shattered by tragedy. With a nation divided by Civil War and his family torn apart, Henry puts down his pen, silenced by grief. But it’s the sound of Christmas morning that reignites the poet’s lost voice as he discovers the resounding hope of rekindled faith.

Three modern couples juggle relationships and demanding careers while navigating the unpredictable terrain of parenthood.

Focuses on a working class girl who is struggling to create a life for herself with her gay co-worker after becoming pregnant from a one-night stand with a black sailor.

Set against a backdrop of a turbulent, war-torn Ireland in the early 1920’s, this is a story of three people and the unfolding events from a crucial time in their extradionary and tragic lives.

Cempaka, a respected warrior and highly respected in the world of martial is a great holder of lethal weapons, Golden Cane. Cempaka will pass the weapon to one of her students. Murder and betrayal occurs before the martial world know who the heirs. Golden Cane fall into the wrong hands and can not be avoided, chaos ensued. The only person who can help take over the Golden Cane is the White Dragon Warrior, former spouse of Cempaka, which has long disappeared.

Almost 18 is a charming and unaffected film about five 17-year-old guys from Helsinki in 2010. Karri, Peter, André, Akseli and Joni dream, party, love and boast like only teenage males can.

A remake of the cult classic, inspired by Randall Sullivan’s Rolling Stone article of the same name about the real life murder of a popular, affluent and beautiful Northern California high school cheerleader at the hands of a classmate.

Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.