Two lifelong friends are embroiled in a crime that threatens to change both of their lives forever.
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The first part of Bill Douglas’ influential trilogy harks back to his impoverished upbringing in early-’40s Scotland. Cinema was his only escape – he paid for it with the money he made from returning empty jam jars – and this escape is reflected most closely at this time of his life as an eight-year-old living on the breadline with his half-brother and sick grandmother in a poor mining village.
A deadly airborne virus finds its way into the USA and starts killing off people at an epidemic rate. Col Sam Daniels’ job is to stop the virus spreading from a small town, which must be quarantined, and to prevent an over reaction by the White House.
A reporter and a blind retired journalist try to solve a series of murders. The crimes are connected to experiments by a pharmaceutical company in secret research. The two end up becoming targets of the killer.
Paris, 1993. Selma, 17, lives in a bourgeois and secular Berber family. When she meets and is strongly attracted to Julien, a dashing young man, she realizes for the first time the heavy rules of her patriarchal family and how they affect her intimacy. As Islamism takes over her country of origin and her family crumbles, Selma discovers the power of her own desire. She must resist and fight. Through the strength of her people, she starts walking down the path of what it means to become a free woman.
When a young European woman assumes a false identity in 1920s Argentina, she gets more than she bargained for.
After their parents divorce, one daughter lives with her mother in England while the other lives with her father in Portugal. After the untimely death of her mother, the one daughter stands to inherit a large sum of money and also a number of documents containing information that will incriminate her father, who was a crooked judge. While her father wants the documents, her sister wants the money and they will each stop at nothing, even murder, to get what they want.