Two families that hated each other for years are forced to spend Christmas together.

A young woman in L.A. is having a bad day: she’s evicted, an audition ends with a producer furious she won’t trade sex for the part, and a policeman nabs her for something she didn’t do, demanding fellatio to release her. She snaps, grabs his gun, takes his uniform, and leaves him cuffed to a tree where he’s soon having a defenseless chat with a homeless man. She takes off on the cop’s motorcycle and, for an afternoon, experiences a cop’s life. She talks a young man out of suicide and then is plunged into violence after a friendly encounter with two “vatos.” She is torn between self-protection and others’ expectations. Is there any resolution for her torrent of feelings?

Two drug dealers on the lam seek refuge inside their mentally unstable friend’s mansion. But in order to stay, they have to participate in her elaborate, and increasingly dangerous, game of permanent make-believe.

Comedian Tommy Chong is legendary for his invaluable contribution to American counter-culture as part of the iconic comedy duo “Cheech & Chong”. In this brand new comedy special – appropriately premiering on 4/20 – Tommy presents some of his favorite comedians, including Edwin San Juan, Chris Porter, Jay Phillips and Eddie Ift.

An intimate family portrait of four hapless but resilient women and the bittersweet lessons they learn in keeping up with the hectic demands of their individual neuroses. Each of the women seeks redemption in her own haphazard way, but whatever salvation they find is illusory and short-lived.

A couple of two-bit thieving brothers try and keep a promise to their dying father: stick together and become successful outlaws. Bambino reluctantly agrees to show younger Trinity the ropes, but their gentle demeanors tend to diminish their haul by repeatedly helping the selfsame family they initially held up. Fun ensues in town and at the local Spanish mission where they are taken for federal agents, mistakenly so identified by Trinity’s young love interest, daughter of the aforementioned family.

Homer Macauley remains in a small town looking after his widowed mother and younger brother. Homer’s older brother is fighting the war in Europe.

Two ruthless criminals take two teenage couples hostage at a remote mountain cabin in Colorado following a botched bank robbery.

After being left for another man by his wife, Charles Bellanger raises his only son to fear and suspect women. Years later, such an education is bearing fruit.

An English family relocates to sunny Greece in the months before WWII.

Laura (Florencia Colucci) and her father Wilson (Gustavo Alonso) arrive at a cottage off the beaten path in order to repair it since its owner (Abel Tripaldi) will soon put the house on sale. They will spend the night there in order to start the repairs the following morning. Everything seems to go on smoothly until Laura hears a sound that comes from outside and gets louder and louder in the upper floor of the house. Wilson goes up to see what is going on while she remains downstairs on her own waiting for her father to come down. The plot is based on a true story that occurred in the 1940s in a small village in Uruguay. La casa muda focuses on the last seventy eight minutes, second by second, as Laura tries to leave the house unharmed and discovers the dark secret it hides.

Jacopo has a serious problem. He may be a brilliant marriage guidance counsellor, but he can never manage to have a steady relationship for more than two weeks. And for good reason: since he was very young, Jacopo has been cursed and brought bad luck to every woman who has fallen in love with him. Really bad luck. Because of this, he has vowed to stay away from women, for their own good. But the moment he lays eyes on Sara at a friend’s birthday party, he is smitten. Despite his resistance, the two fall head over heels leading to back-to-back, laugh-out-loud moments of disaster! Sara will quickly learn the consequences of her choice as the limits of her love are put to the test.