The plot follows Morris (Curran), a recluse with psychotic tendencies, whose life changes when his innocent daughter (Vickers) rescues one of his victims and befriends him. Jake (Hill), an ordinary businessman, soon realizes that he is stranded, and his presence in the house gradually reveals unexpected and dark mysteries from the past.

A retired prostitute on the run, moves to a small town and starts a lingerie-making business (made from her signature adire material) which inevitably empowers the conservative women. Only to anger the self instilled leader, the deaconess and wife to the preacher of the town’s local church. She soon discovers the most unusual friendships and love in the unlikeliest of places. Her paradise is cut short by Captain, her former pimp whose money she stole to start a new life.

Akram and Azar two sister lie about the disappearance of their brother by telling everyone he has fled to Germany. In time this “lie” takes a life of its own and leads everyone to dark and mysterious places.

Set against a chaotic, war torn Shanghai, “The Wasted Times” follows a local crime boss at the receiving end of the Japanese army’s attempt to forge a dubious alliance. Spanning three separate times during the period, the story details mindsets from various perspectives, all culminating in a suspenseful and tense finale.

The ostensibly simple story of a sympathetic veteran teacher giving Italian lessons to a weekly class of diverse immigrants is given infinitely more depth and complexity by the manner in which director Daniele Gaglianone renders his story. Blurring the lines between fact and fiction, truth and artifice, and between documentary and drama, Gaglianone has created a film within a film. You see the apparent artifice of Gaglianone’s crew using professionals, including the noted film actor Valerio Mastandrea as the teacher, interlinked with ‘real’ immigrant protagonists, studying the language to improve their chances of employment and of gaining a permanent residence permit. Thus in the course of the lessons there is simultaneously the painful and upsetting relation of the students’ personal stories but also humour, as they interact and share their humanity, bridging cultural differences, united in their striving to make a better life for themselves. (Source: LFF programme)

A Romanian peasant fights to get back to his family after he’s imprisoned by the Nazis.The picture is based on real events. It includes Hungary’s government in collaboration with the Nazis, the encroachment of Romania by Stalin’s troopers, and other happenings.

GONE WITH THE POPE stars Duke Mitchell as Paul, a gangster with an unholy scheme: to kidnap the pope and charge “a dollar from every Catholic in the world” as the ransom. Shot in 1975 as KISS THE RING, GONE WITH THE POPE was unfinished at the time of Duke Mitchell’s death in 1981. Sage Stallone and Bob Murawski of Grindhouse Releasing rediscovered GONE WITH THE POPE in 1995 and vowed to save it from obscurity. Academy Award-winning film editor Murawski (THE HURT LOCKER, SPIDER-MAN 1,2 & 3) spent 15 years completing GONE WITH THE POPE from the surviving film elements.

The story of a young man who arrives in Hollywood during the 1930s hoping to work in the film industry, falls in love, and finds himself swept up in the vibrant café society that defined the spirit of the age.

A retired radio host bags groceries to earn money to attend his former employer’s anniversary party, where he hopes to reunite with the love of his life.

Peter and Michael, raised on the streets of Philadelphia, are the children of Irish mob members, forever linked by the crimes of their fathers. 30 years later, Michael now runs the criminal organization and lusts for more power, his dangerous antics frequently held in check by his cautious cousin Peter. Haunted by the death of his sister, whose passing destroyed both his parents, Peter is caught between the dreams of childhood and the realities of his life as an enforcer. His only reprieve is a local boxing gym, a sanctuary that is quickly threatened as Michael’s desire for control escalates.

Three College friends go off to New York to become Broadway stars and they endure an endless parade of casting couches and frauds in their pursuit of Limelight, which puts more and more strains on their friendships.

Worlds collide at an awkward dinner party in 1959 New England. Tables turn when a progressive biracial couple attends dinner at the imposing home of an unexceptional artist and questionable psychiatrist. By daybreak, they find themselves pawns in a cynical game that exposes the cracks in their facades.