A documentary film that takes us on a scientific and spiritual journey where we discover that by changing one’s perceptions, the human body can heal itself from any disease.
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“Here We Are Now” is an emotional documentary which tells three stories of Ukrainian refugees who are now scattered around the world.
In 1943, in a circus tent in Burbank, CA, a bunch of revolutionary thinkers first gathered together in secrecy to build America’s first jet fighter. They were rule benders, chance takers, corner cutters-people who believed that nothing was impossible. I
They’re called water carriers, domestics, ‘gregarios’, ‘Sancho Panzas’ of professional cycling. Always at the back of the group, with no right for a personal victory. These wonderful losers are the true warriors of professional cycling.
Journey 80 million years back in time to an age when mighty dinosaurs dominated the land – and an equally astonishing assortment of ferocious creatures swam, hunted, and fought for survival beneath the vast, mysterious prehistoric seas.
As the front man of the Clash from 1977 onwards, Joe Strummer changed people’s lives forever. Four years after his death, his influence reaches out around the world, more strongly now than ever before. In “The Future Is Unwritten”, from British film director Julien Temple, Joe Strummer is revealed not just as a legend or musician, but as a true communicator of our times. Drawing on both a shared punk history and the close personal friendship which developed over the last years of Joe’s life, Julien Temple’s film is a celebration of Joe Strummer – before, during and after the Clash.
True the Vote has been working with Dinesh D’Souza to create a bombshell movie that uses footage they obtained of ballot boxes in key states across America to steal the election in 2020. 100 Percent Fed Up reports – Using geo-tracking devices, True the Vote was able to take footage from drop boxes across America in key states like Georgia and others to track over 2,000 ‘mules” wearing gloves and disguises to stuff ballot boxes.
In 1997, 17-year-old suburban Buenos Aires filmmakers Pablo Parés and Hernan Sáez pooled $450 to co-write/produce/direct and star in a shot-on-VHS zombie epic of such flesh-ripping, gore-spewing greatness that it instantly drew global cult acclaim and redefined the possibilities of extreme DIY horror. Over the next 20 years, Parés, Sáez and their friends would create two increasingly ambitious – and equally brilliant – viscera-soaked sequels (and several short films) that made them “Argentinian George Romeros who’ve built a small empire of gore flicks”
Gentrification and displacement are affecting all big cities throughout the world, but none more egregiously than my hometown of New York City. As a Native New Yorker, I am disturbed to see my beloved hometown become a haven for the wealthy when it was once a city that valued culture and community over money. Before Covid happened, the sky seemed to be the limit for corporate greed and that is when I started making this film. I chose specifically to focus on two lower-class neighborhoods that are in peril- Queens and the Lower East Side. In documenting these neighborhoods under threat, I met local activists whose lives centered around maintaining the ethos of their community.
After a 75 year-old mother gets fired from her job, her son takes her on a bucket-list adventure to reclaim her life. As she struggles to find work, he documents a journey that uncovers the betrayals plaguing her past and the economic insecurity soon to shape not only her future, but that of an entire generation.
Thomas Hart Benton’s paintings were energetic and uncompromising. Today his works are in museums, but Benton hung them in saloons for ordinary people to appreciate.
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The director’s mother, Mirka Mora, avoided Auschwitz by one day. On his father’s side many perished in the Holocaust. These facts triggered three visits to Auschwitz by Mora from 2010 to 2014 in an effort to understand and remember.