Hawaii is a directed by Jesús del Cerro and scripted by Jesús del Cerro, Manuel Feijóo, Beatriz G. Cruz and Ruxandra Ghitescu.
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Hardwell is a fictional town near the border of two provinces at odds with each other. Meanwhile, the camp Ashley and Ty work at is called Kilometer 72. They have just crossed over into a province whose energy values don’t align with their own and run into protests and antipathy. A single, debt-ridden mother takes a job as a pipe labourer at a remote camp near the town of Hardwell. As tensions grow between workers and neighbouring communities, Ashley is challenged to protect the industry and her only source of income. Forming an unlikely bond with a member of her crew, Ashley and Ty help one another navigate hostile working conditions and the complexities of an industry in transition. Pipe Nation is a fictional analysis of the historical, political and economic significance of pipelines. It works to illuminate the unique relationships between individual citizens and the webs of steel which lie below.
They are the perfect French haute bourgeois couple: Paul is a respected surgeon and Lucie cooks and gardens exquisitely. But now, in the autumn of his life, Paul can’t resist the lure of an ambiguous and dangerous relationship with a mysterious young woman. Might there be something sinister behind the roses delivered to his office and the “chance” meetings?
City councilor Susan takes bribes from Reevers and allows him to deposit his garbage illegally in an old mine. But when she learns that he also dumps toxic wastes which threaten the nearby water purification unit, she wants to cancel their agreement. She asks her ex-husband Steve, a cop, for help, but before he can do anything she’s found dead. Her sister Sunny decides to take revenge with help of a couple of friends, who once formed a female martial fighting squad.
When her family moves from the city to the suburbs, 11-year-old Margaret navigates new friends, feelings, and the beginning of adolescence.
Marian, a middle aged nurse, devotes herself to her patients like a saint. Sometimes she even takes on the role of a redeemer, by helping the gravely ill to the soothing order of ultimate silence. When she gets linked to a neighbor in an act of common voyeurism, she becomes fascinated by him. Faced with the fragility of these newfound emotions, Marian surrenders to her human needs
The story of 16-year-old Kayla Adams, whose mother, Karen is advised by the school’s counselor to send Kayla to get treatment at a youth residential treatment center after she gets expelled from school. Kayla arrives at the Utah facility on the same day as her roommate Amanda, a treatment program veteran who knows exactly what the girls were in for. Led by headmistress Miss Connie, the staff uses draconian methods including force-feeding medications, arbitrary punishments, solitary confinement, verbal and physical abuse to keep the students in line. After being pushed to their limits and stripped of their lifelines, including any ability to freely communicate with the outside world, the two young women must band together to survive and fight to expose the abuse before it’s too late.
A sculptor hires young college girls to take care of his elderly mother and his supposedly insane sister, both of whom live in the old family mansion with him.
17-year-old Jackie is in distress as her older brother Matthew gets his first girlfriend and prepares for college. Though Matthew does not share her incestuous desire, Jackie fights the intrusion of reality on her idyllic childhood world.
Kabir Singh, a short-tempered house surgeon gets used to drugs and drinks when his girlfriend is forced to marry the other person.
LIME SALTED LOVE is a minimalist, surreal examination of abandonment, guilt, abuse and psychic pain set in this minute’s hipster enclaves of Los Angeles. The film, told in rippling flashbacks from its four main characters, drains out of the eyes of the institutionally confined, David Triebel, his guilt-ridden younger brother, Chase, Ellie, his emotionally damaged girlfriend, and Zephyr, the sexual provocateur. In the visual narrative tradition of David Lynch the film depicts the tale of three bonded brothers broken by the accidental death of one and the residual guilt draping the remaining two The film examines how damaged people are hurt even more by their own willful ways. Sometimes it is the smallest things we do to others that destroys them…
Everyone in high school has a senior year. For Brian Robertson, it’s a ride he’ll never forget.