An American professional gambler named Jack Weil decides to visit Havana, Cuba to gamble. On the boat to Havana, he meets Roberta Duran, the wife of a revolutionary, Arturo. Shortly after their arrival, Arturo is taken away by the secret police, and Roberta is captured and tortured. Jack frees her, but she continues to support the revolution.
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Comprised of eight unrelated episodes of inconsistent quality, this anthology piece of American propaganda features some of MGM Studios’ best directors, screenwriters and actors; it is narrated by Louis Calhern. Stories are framed by the lecture of a university professor. In one tale a Boston resident becomes angry when the census forgets to record her presence. Another sketch chronicles the achievements of African Americans while still another pays tongue-in-cheek tribute to Texas.
Melody Brooks, a sixth grader with cerebral palsy, has a quick wit and a sharp mind, but because she is non-verbal and uses a wheelchair, she is not given the same opportunities as her classmates. When a young educator notices her student’s untapped potential and Melody starts to participate in mainstream education, Melody shows that what she has to say is more important than how she says it.
In pre-revolutionary China, two young girls, Chunhua and Yuehong Xing, rise through the ranks of Chinese opera, but with their artistic success comes a new series of personal and social challenges. After they’re sold to a Shanghai opera and the revolution dawns, Yuehong radicalizes and devotes her career to politically progressive performances, while Chunhua flees to avoid turmoil. As the world changes around them, they fight to maintain their friendship.
40-year-old Bertrand has been suffering from depression for the last two years and is barely able to keep his head above water. Despite the medication he gulps down all day, every day, and his wife’s encouragement, he is unable to find any meaning in his life. Curiously, he will end up finding this sense of purpose at the swimming pool, by joining an all-male synchronised swimming team.
Miyo “Muge” Sasaki is a peculiar second-year junior high student who has fallen in love with her classmate Kento Hinode. Muge resolutely pursues Kento every day, but he takes no notice of her. Nevertheless, while carrying a secret she can tell no one, Muge continues to pursue Kento. Muge discovers a magic mask that allows her to transform into a cat named TarÅ. The magic lets Muge get close to Kento, but eventually it may also make her unable to transform back to a human.
Sometimes hope is all you need, but sometimes it can be hard to find. Faced with the death of her beloved grandmother, Lizzie, focused on the farm, her horses and eventing, must learn to stand on her own two feet. With Legacy by her side, can she do it?
Set in Haven Hospital where a certain men’s ward is causing more havoc than the whole hospital put together. The formidable Matron’s debut gives the patients a chill every time she walks past, with only Reckitt standing up to her. There’s a colonel who is a constant nuisance, a bumbling nurse, a romance between Ted York and Nurse Denton, and Bell who wants his bunion removed straight away, so after drinking alcohol, the men decide to remove the bunion themselves!
Adam, a lonely man with Asperger’s Syndrome, develops a relationship with his upstairs neighbor, Beth.
Jennifer quickly grabs a black suitcase off the airport luggage carousel. She later discovers she’s grabbed the wrong bag. Soon a man calls claiming he will harm her daughter if she doesn’t follow his instructions and return his baggage.
Adrift in the lush, nocturnal urban landscape of THE GRAFFITI ARTIST, Nick (Ruben Bansie-Snellman) is a post-modern urban hero asserting his anarchistic agenda on the endless maze of virgin exterior walls that comprise downtown Seattle and Portland. For this iconoclastic young visionary, the vast wall surfaces of deserted alleys and train yards are at once a daunting symbol of capitalist oppression and a texturally rich, seamless tableau ripe for exploitation to amplify his artistic dialectic of anger and rebellion.
Alison remains notoriously anonymous when critiquing restaurants for the Chicago Tribune because she never wants to be treated differently than an ordinary customer. But when she accidentally goes viral for trashing a new restaurant, her editor insists she make amends by going undercover as a prep cook for the chef she maligned.