Siya appears to be the bone of contention between warring businessmen Aditya and Saurav. But this one runs deeper than your average love triangle.
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A bored young man meets with his former girlfriend, now a cabaret dancer and single mother, and soon finds himself falling back in love with her.
Based on the long running play by Jang Jin, the story is set in Korea during the Korean War in 1950. Soldiers from both the North and South, as well as an American pilot, find themselves in a secluded and naively idealistic village, its residents unaware of the outside world, including the war.
April, who likes to write poetry, meets Senandika, a musician who has managed to steal attention with her philosophy and principles. April, seeing potential in Sena, introduces her to Sanya, her best friend’s young producer. The conflict began when April and Sena fell in love with each other, but was blocked by the blessing of April’s father, Halim.
Guitarist Ko-chan is a mess of sexual repression after a childhood at the mercy of two elder sisters eager to use him as a guinea pig for their make-up skills. Bassist Gaku-chan keeps a bucket in the wings for whenever his nerves get the better of him, and drummer Momo-chan is doomed to forever carrying the botched childhood attempts at self-tattooing. It’s not until this foursome is forced to look for an additional guitar player after Jin’s dad burns his Stratocaster, that attitude and musical ability enter into the equation. Leather-clad, shade-wearing Tani (Tamaki), inseparable from his black Les Paul, is introduced as the king of R’n’R cool and Jinnai keeps him firmly seated on his throne throughout the film, retroactively proclaiming the guitarist, rather than himself, as the band’s true hero.
Shifting from one pocket to another, from one man’s drama to another, a lowly dollar bill, ‘one buck’ takes us on an odyssey through the heart of a forgotten town in Louisiana.
Amy, a young woman is on the run with her young son Adrian from her abusive ex-girlfriend. When the past rises up to haunt them, they must confront the forces threatening them from both outside and in.