After a stint in a psychiatric ward, Silicon Valley lawyer Nina Khan struggles to confront the ghosts of boyfriends past with the help of Dr. Premlata andquot;Lataandquot; Sharma, who herself must confront the ghosts in her marriage.
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In the aftermath of a zombie outbreak, zombies are cured and exiled to secluded camps. There has been talk about rehabilitating post-zombies back into society. Steve, the journalist reporting on the case, thinks the zombies still pose a threat to society. He ventures into one of these camps to prove to the world that rehabilitation is out the question.
Bugs Bunny hosts an award show featuring several classic Looney Tunes shorts and characters. This movie was released in 1981 by Warner Bros. and was produced by Friz Freleng. New footage was one of the final productions done by DePatie-Freleng Enterprises (also known as Marvel Productions beginning in the 1980s) and the film was re-released in the USA on April 28, 2009 from Warner Home Video.
When an out of work actress unexpectedly lands a starring role in the sexually explicit mini-series adaptation of a best selling erotic novel, her aimless, stoner boyfriend does his best to be supportive. But when her volatile, Oscar winning co-lead takes “rehearsals” too far, her dream job becomes her boyfriend’s worst nightmare and the couple is forced to decide whether or not their relationship is worth fighting for.
In her first HBO comedy special since 2013’s acclaimed “Sarah Silverman: We Are Miracles,” Sarah Silverman showcases her fearless chutzpah in a performance filmed at The Wilbur Theater in Boston.
Internationally acclaimed ventriloquist Nina Conti, takes the bereaved puppets of her mentor and erstwhile lover Ken Campbell on a pilgrimage to ‘Venthaven’ the resting place for puppets of dead ventriloquists. She gets to know her latex and wooden travelling partners along the way, and with them deconstructs herself and her lost love in this ventriloquial docu-mocumentary requiem. Ken Campbell was a hugely respected maverick of the British Theatre, an eccentric genius who would snort out forgotten artforms. Nina was his prodigy in ventriloquism and has been said to have reinvented the artform. This film is truly unique in genre and style. No one has seen ventriloquism like this before.
When Mong-lyong decides to take him under his wing, Bang-ja gets to share a room with the wise, MA. While sharing the room, MA teaches Bang-ja of all the arts of seduction. When strolling the park one day, Mong-lyong meets Chun-hyang, the daughter of the owner of the park, and he instantly falls in love and encourages Bang-ja to arrange a meeting with her. But Bang-ja’s feeling for her was also the same and he seeks advice from Ma. Ma tells him of Chun-hyang’s real intention to win over Mong-lyong for his social status. Without knowing, Mong-lyong urges for a second meeting with Chun-hyang. Bang-ja’s anger towards Mong-lyong for using his nobility to attract her heart triggers his plan to use Ma’s art of seduction. Successfully he wins her heart and body, but under the condition that he will help her to get married to Mong-lyong. Everything seems to go as planned but when Mong-lyong finds out their relationship, whole thing is about to go wrong.
A playboy-gambler friend of Tora-san’s dies and, abandoned by his mother, his little boy suddenly turns up in Shibamata. Searching for the boy’s mother, Tora-san meets a cosmetics saleslady and the three become a surrogate family, with Tora-san as “daddy”.
1975: A 200-ton blue whale gets washed up on a local beach and the kids think it’s the biggest thing that’s ever happened in Australia. Behind closed doors, the Mums and Dads of a quiet suburban street are going to celebrate in their own special way, by joining the sexual revolution and throwing a wife-swapping key party. And like the rotting whale, it’s all about to go spectacularly wrong.
An unsuccessful over-the-top actress becomes a successful over-the-top authoress in this biography of Jacqueline Susann, the famed writer of “The Valley of the Dolls” and other trashy novels. Facing a failing career, Susann meets a successful promoter who becomes her husband. After several failures to place her in commercials and a TV quiz show, he hits upon the idea for her to become a writer. In the pre-1960s, her books were looked upon as trash and non-printable. But then the sexual revolution hit and an audience was born for her books. The story shows the hidden behind-the-scenes story of Susann’s life, including her autistic son and her continuing bout with cancer which she hid up until her death.
Max is hitting puberty, and foxy Ofelia from class has touched his heart. He now plans to spend Christmas break with her or, at the very least, New Year’s Eve. Watching her little boy grow up, his mother Agnete doesn’t know what leg to stand on. Trying to give Max the best Christmas possible, she makes a mess of things, as usual. With his friends, Hassan and Ester, Max eventually tamps down the chaos and throws a super New Year’s Eve bash. Everyone is there, and Ester seizes the moment to hook up with Max ahead of Ofelia.
After the events in God of Gamblers II, Tai-Kun who lost his ESP powers has regained the abilities again and seeks revenge against Sing, the Saint of Gamblers. When Tai-Kun, aided by his fellow disciples, exerts ESP powers under full force against Sing who is doing likewise to them, the spacetime becomes distorted and sends Tai-Kun and Sing to Shanghai in 1937. Meeting his own grandfather Chow Tai Fook and the benign millionaire Ding Lik, Sing must deal with Ding Lik’s foes and the Japanese military forces, with his “mistaken” crush on one of a pair of twin sisters, find out who defeated the French “God of Gamblers”, Pierre Cashon, in that era (the mysterious “Comment allez-vous”), and finally find out how to travel back to Hong Kong in 1991.
Lake is in a straight relationship with Desiree but finds himself becoming attracted to men at the pool. When he cannot control his desires any longer, he starts working at an adult home and begins a relationship with a much, much older man.