Five suburban youths embark on a night of violence in the city, attacking unsuspecting victims while recording the assaults on smartphones.
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Childhood friends Tetsuo and Kaneda are pulled into the post-apocalyptic underworld of Neo-Tokyo and forced to fight for their very survival. Kaneda is a bike gang leader, and Tetsuo is a member of a tough motorcycle crew who becomes involved in a covert government project called Akira. But a bloody battle ensues when Kaneda sets out to save his friend.
Incontrol follows a group of university students who discover a device that allows them to take control of others, and experience the world through someone else. As they push the machine’s abilities to its limits, they begin to question the device itself.
A plot to overthrow the United States government is uncovered in New York City in the summer of 1919 when William Flynn, a field agent for the Bureau of Investigation, is sent to investigate a bomb threat that has targeted some of America’s most powerful politicians and leaders of commerce, New York millionaire John D. Rockefeller, Sr. among them. Flynn’s investigation takes him on a journey into the underworld of homegrown terrorism and introduces him to a competitive culture of violence and murder. Greed, power, and politics are at the center of the story and Flynn must distinguish the villains from the merely discontented. Along the way, he discovers that terrorism has many faces and that a determination of guilt or innocence often lies in the psychology of fear that constricts individuals at every level of society. Sedona International Film Festival.
The son of Emperor Franz Josef of Austria, Crown Prince Rudolf, is believed to have shot his female lover and himself in a tragic suicide pact in 1882 in Mayerling. Due to Imperial cover-ups, the full story may never be known. This story has been filmed several times, in French in 1935 and in English in 1968. Hungarian director Miklos Jancso recreates those events for his own purposes, continuing his favored theme of the rejection of paternal authority. In the film, which has very little dialog, Rudolf is a good-natured pan-sexual golden boy, who cavorts on his rural estate with a host of beautiful, aristocratic lovers and friends of both sexes. He refuses to leave his country idyll even though he has been ordered to by the Emperor, his father. Despite the fact that for a large part of the film, attractive young people go about unclothed and engaging in erotic encounters, the mood is one of melancholy rather than prurience.
Max is a handsome young man who, after a fateful tryst with a German soldier, is forced to run for his life. Eventually Max is placed in a concentration camp where he pretends to be Jewish because in the eyes of the Nazis, gays are the lowest form of human being. But it takes a relationship with an openly gay prisoner to teach Max that without the love of another, life is not worth living.
Kathleen Turner stars as suburban mother and devout Catholic Eileen Cleary, who has always kept up appearances. When she runs for the Catholic Woman of the Year title at her local parish, her final test is introducing her family to the board for the seal of approval. Now she must finally face the nonconformist family she has been glossing over for years…
Lonely college student Alex encounters his favorite filmmaker, JP Smith, stalking around his sleepy town in upstate NY. Together they form a precarious relationship, with Alex becoming the star of JP’s latest flick: a lo-fi, vérité depiction of Alex’s life, where the line between reality and fiction slowly becomes obliterated.
British film, released in the United States as “Stop Me Before I Kill!”. A few hours after their wedding, international racing driver, Alan Colby and his new wife Denise, are involved in a horrific car crash. Alan’s physical injuries heal but the mental blackouts continue. Denise suggests a delayed honeymoon in the south of France and it is here that eminent psychiatrist, Dr. Prade, promises a complete treatment to cure Alan’s suffering. The couple accept his offer unaware that it comes from a mind more hideously disturbed and psychologically unbalanced than Alan’s.
A beautiful housekeeper becomes a romantic attraction to a widower and his three sons.
All of a sudden, 16-year-old Martha vanishes. Her father Lothar, who for years has had no contact with her or his ex-wife, sets off unwilling to find her. He soon realises other young people are also vanishing from the city inexplicably. Lothar follows their trail across the country. He meets the occasional young person but the trail goes cold. In the next city he encounters militia groups and a reinforced police presence. Children are forbidden to be on the streets unless accompanied by adults. The world has changed…