In this tense tale of psychological terror, Vivian Miller (Young) is a young twenties woman who’s serving out her jail sentence at a work release program in the Midwest. Her 90 days of probation takes her to The Cawdor Theater, a dilapidated summer stock theater run by Lawrence O’Neil (Elwes). Lawrence, a failed Broadway director, is now reduced to staging amateur productions with young parolees and raging over the mistakes from his past. Vivian’s arrival in Cawdor starts a terrifying series of events that brings Lawrence’s secret past to the present. After Vivian views an old taped stage production of Macbeth, a force of evil is unleashed which soon turns its sights on her. With the help of Roddy (Welch), a local outcast, Vivian sets about trying to discover who the supernatural killer on the tape is before she becomes the next victim.

Three college students, another couple, their housekeeper are besieged at a remote Brazilian plantation by a group of zombies raised by a voodoo curse.

Sherlock Holmes is as dashing as ever, but with a little secret: Dr. Watson is the brains behind the operation. When Reginald Kincaid, the actor he has hired to play Holmes becomes insufferable, Watson fires him and tries to go out on his own, but finds that he has done too good a job building Holmes up in the public’s mind.

Horror fan Tal Zimerman examines the psychology of horror around the world to find out why people love to be scared.

On a lush tropical island, working under a secret government charter, Martin Drake has not only grown sprawling acres of giant vegetables, but inadvertently spawned two mammoth reptiles as well. Now they’ve broken free of their enclosures, and Drake has only one option: kill the creatures before word gets back to Washington and they close him down. When Drake’s first team of well-armed mercenaries gets wiped out within hours of setting down in the jungle, he turns to one lone hunter, The Cajun, to go in single-handedly. But will The Cajun be cunning enough to find the creatures and destroy them before they turn the blue waters red with the blood of tourists. The only hope is to bring the monsters together and make them fight. When one emerges victorious, that will be the time to strike and kill the other. It’s a risky plan, but ultimately the only one that may work. One of David Carradine’s last movies.

A madman claims that an eerie pond, near a cabin in the woods, can bring back the dead. Inspired by a true story and a real place in New Jersey.

Suspecting that people around him are turning into evil creatures, a troubled man questions whether to protect his only friend from an impending war, or from himself.

Geja misses assassinating Pamma and ends up in the same jail, intent on finishing the job. A merciless cop’s plan to transfer the dangerous prisoners to Rajasthan escalates the situation

What kind of scenes in a horror film scares you the most? When a ghost appears totally unexpectedly? When the main character does not see the ghost sneaking up behind him? When at the very end you find out that the main character was actually a ghost all along? But none of this compares to the feeling of arriving home alone and suddenly being stuck by a feeling of deja-vu.

Ex-gangster Harry Payne confronts his violent past and vengeance from beyond the grave.

ADGP Mathew Manjooran, returns to work after a seven-month sabbatical, only to take voluntary retirement. His last day has him investigating a case involving triple murder, including a police officer. Soon a pattern emerges and each clue also links Mathew. How is the veteran police officer tied to the murders and who is the real villain?

Take a peak under the surface of any gay man, and who knows what you’ll find? Confessions, an anthology of disclosures from the recesses of the gay male psyche, goes some way to answer that very question. Spanning themes that are dark, sexy, intense, funny, romantic and shocking, Confessions turns a spotlight on characters you don’t often get to see- but will not want to turn away from.