A trio of sisters bond over their ambivalence toward the approaching death of their curmudgeonly father, to whom none of them was particularly close.
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Karolina (Katarzyna Zawadzka) works in a bank, she is energetic, self-confident, go-getting. When the latest currency product comes into her hands – a loan in Swiss francs, the woman gets a great chance to prove herself. Having the full consent of his boss – Adam (Tomasz Karolak), he unscrupulously starts persuading clients to take the most risky and unfavorable investments. Jan (Jan Frycz) is the gray eminence of the Polish financiers. In his phone, he has contacts to the presidents of the largest banks in Poland. His cynical ideas and decisions affect the economy and the fate of hundreds of thousands of people overnight. Such as Artur (Rafał Zawierucha) – an ambitious head of an IT company who decides to use currency options to develop his business. His partner is Mateusz (Antoni Królikowski), who dreams of independence, his own place and the longed-for move away from his in-laws.
Two storms separated by 25 years. A woman murdered. A daughter missed. Only 72 hours to discover the truth.
Obsessed with the BBC production of “Pride and Prejudice”, a woman travels to a Jane Austen theme park in search for her perfect gentleman.
A Broadway artiste turns a faded film star’s comeback vehicle into an artsy flop.
Miguel is the perfect coyote: dedicated, single-minded, his record unblemished. His home is the winding path of the migrant: the back alley gravel, the crumbled pavement, and last – the river. Despite this perfect record, Miguel is no stranger to death. His nickname, “El Maldito” hints of what we will soon see for ourselves, for Miguel seems haunted by the dead and dying. He comes upon them on desert roads; he hears their confessions, and takes part in their dying wishes. Miguel’s house, much like the man himself, stands alone; yellowed photographs breathe the sigh of a life given over to a singular purpose – crossing his people to a new life. There are signs that this quiet struggle is soon to break. When a terrible wreck draws Miguel to the roadside, the order of his life comes to ruin, for Elena, the wreck’s lone survivor, recognizes Miguel.
It sounds like a budding writer’s dream: a bestselling first novel, a luxurious house in Malibu, and a trophy wife… But it all unravels when writer’s block and a failed marriage send Richard McMurray (Campbell Scott, The Exorcism of Emily Rose) out into the streets.
Failed architect, engineer and vicious murderer Jack tells Verge the details of some of his most elaborately orchestrated crimes, each of them a towering piece of art that defines his life’s work as a serial killer for twelve years.
There is a long night when Hugo, a civil servant, is sitting on the stairs of the Ministry where he works. He can’t face going home. The images of the mysterious 8 mm films he found in António’s house after he passed away keep coming back to his mind. Hugo remembers the day when Antonio, his superior at the Ministry, told him that he was going to die. Indirectly, Antonio seemed to want to tell him something about Hugo himself. Hugo’s desire to understand what had remained unsaid between the two of them, triggers other memories from the past. Hugo unexpectedly thinks back on the last time he saw the woman he loved, Adriana, and relives once more what he feels has been his unlived life.
