A shuttered TV studio in Detroit is haunted by a magician/ventriloquist from a 1960’s children’s show, and he’s looking for a new live (or DEAD) studio audience.
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A woman who finds a pair of pink high heels on a subway platform soon realizes that jealousy, greed, and death follow them wherever they go.
Anja and five friends join anthroplogy student, Dace, on a journey to study a remote, ancient rock painting. Their excitement vanishes when Mel becomes delirious after skinny-dipping in the waterhole. Feverish, bleeding, confused, she physically and mentally regresses to a vicious predatory state. Mel has gone primal. Mel’s lover and friends realise they are the prey as she savagely hunts them down. Before they can escape another one of them starts to regress, posing a hideous choice; kill their friends or be killed by them. Their only hope of survival is through a cave, where Anja learns too late the meaning of the ancient rock art they came to study.
A bored, unhappy suburban housewife gets mixed up in witchcraft and murder.Joan Mitchell is an unhappy, suburban housewife pushing 40, who has an uncommunicative businessman husband, named Jack, and a distant 19-year-old daughter, named Nikki, on the verge of moving out of the house. Frustrated at her current situation, Joan seeks solace in witchcraft after visiting Marion Hamilton, a local tarot reader and leader of a secret black arts wicca set, who inspires Joan to follow her own path. After dabbling a little in witchcraft, Joan, believing herself to have become a real witch, withdraws into a fantasy world and sinks deeper and deeper into her new lifestyle until the line between fantasy and reality becomes blurred and eventually tragedy results.
Incensed by the tabloid culture which celebrates it, the L.A. Slasher publicly abducts a series of reality TV stars, while the media and general public in turn begin to question if society is better off without them. A biting, social satire about reality TV and the glorification of people who are famous for simply being famous, “L.A. Slasher” explores why it has become acceptable and even admirable for people to become influential and wealthy based on no merit or talent – purely through notoriety achieved through shameful behavior.
After surviving the incidents in Barrow, Alaska, Stella Olemaun relocates to Los Angeles, where she intentionally attracts the attention of the local vampire population in order to avenge the death of her husband, Eben.
One year after running away from home, Nicole and Jesse are still missing. When Jesse’s brother, Tom, returns home from active duty, he sets out with his friends Marilyn and Jared to locate the lost couple. Their search leads them to the stretch of old highway with a mysterious Rest Stop, where they find themselves in the same predicament as Nicole and Jesse: confronting a madman.
On their first night at a new, secluded house, a couple (Esin Harvey, Gorkem Mertsoz) encounter the mysterious woman (Derya Alabora – A Most Wanted Man, When We Leave) who claims it to be her home.
Paul is a new kid in town with a robot named “BB”. He befriends Samantha and the three of them have a lot of good times together. That is, until Samantha’s abusive father throws her down some stairs and kills her. In an effort to save her life, Paul implants BB’s computer brain into Samantha’s human brain.
A young man becomes obsessed with Byleth, the demon of incest, and it leads to an unhealthy infatuation with his sister.
Alone and isolated at the family ranch, Tommy and his sister June suddenly find themselves being terrorized and hunted by a pair of nomadic killers.
