After his cousin is shot and killed by a white police officer in Chicago and Black Lives Matter protests spread across the city, a black inner city teen desperately fights for a way out of the most notorious murder capital of America.
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Georgie Godwin is the fattest man in Britain. A tourist attraction, thanks to greedy ‘agent, cabbie Morris. Devoted neighbour Janice is Georgie’s only other regular outside contact until he meets Amy, a pregnant teenager fleeing a violent boyfriend ,whom he takes in as a lodger. Amy tries to help Georgie change his lifestyle, but Morris is more than keen to stop her ruining his tourist attraction.
The only time Maria feels liberated is when she is playing the organ. Bach’s music is something you feel in your gut. At home she bears the brunt of responsibility – both for her rebellious sister Hannah, two years her junior, who is busy planning her escape from the village, and for her father, Johann.
Having received the ashes of his father, with whom he had no more than a distant relationship, Ramón meets Mateo during lockdown. Despite their differences, a profound connection grows between them, prompting them to question themselves. Mateo decides to accompany Ramón on the journey to scatter the ashes in Huancayo. On the way, Ramón will realise that he was looking for answers to the wrong questions, and that he must heal from within in order to move on.
A successful art gallery coordinator, living a double life as a serial killer, preys on the hopeless as she attempts to find meaning behind the voices she hears. When she believes she is falling in love with a depressed comic book artist; she struggles between what her heart is telling her to do about him… and what the voices are telling her to do about him.
From an intoxicating fantasy to a dangerous affair, a wealthy married woman finds her life irreversibly shattered after picking up an unpublished novel.
Carol Morley’s debut short uses the iconography of the genre of melodrama – the staircase, the father – to explore the story of a girl’s relationship with her father, and the impossibility of recreating a time, a place, and a memory. Cross-cutting between the girl protagonist and her father, the film creates a sense of crisis and conflict. As the girl invests her feelings in her surroundings and describes events connected to her father, we are drawn into a world of pain and pathos. Morley’s first directorial credit was her graduation film from Central St. Martin’s School of Art.
Single mum Flora is at a loss about what to do with her rebellious teenage son, Max. Her efforts to keep him out of trouble lead to a beat-up acoustic guitar, a washed-up LA musician, and harmony for this frayed Dublin family.
Emily, who is saddled with student debt and locked out of the job market due to a minor criminal record, gets involved in a credit card scam that pulls her into the criminal underworld of Los Angeles, ultimately leading to deadly consequences.
Hasret has been seeing the same nightmare for some time, but she keeps living unaware that what she sees is actually remembering. A 30-year-old woman who works in a News Channel, living alone in the flat left by her musician parents who died in a car crash twenty years ago. Is it? The question creeps into her mind, and then (or maybe even before) her life through recurring nightmares: Is it possible that her parents did not die in a car crash?
Based on true events and the novel of the same name. Vice detective Bob Hightower finds his ex-wife murdered and daughter kidnapped by a cult. Frustrated by the botched official investigations, he quits the force and infiltrates the cult to hunt down the leader with the help of the cult’s only female victim escapee, Case Hardin.
A temporary worker at a company gets involved in a big case when her boyfriend leaves his smartphone in a taxi.