The paw-inspiring story of the most beloved animal sanctuary in the world, the Old Friends Senior Dog Sanctuary in Mount Juliet, Tennessee. From their humble beginnings as a small backyard sanctuary, we follow founders Zina and Michael Goodin, their amazing staff, and the gang of one hundred plus senior pooches, as they grow and settle into a brand new 20,000 square foot state-of-the-art facility. You’ll meet the dogs, and the people who fostered them and gave them a reason to wag their tails. It’s a tale of compassion and commitment, where love knows no bounds and as Zina likes to say, “The sky is the limit.” Old Friends: A Dogumentary, a film about a place where love never grows old.

An early example of ultra-realism, this movie contrasts the quiet, bucolic life in the outskirts of Paris with the harsh, gory conditions inside the nearby slaughterhouses. Describes the fate of the animals and that of the workers in graphic detail.

The final part of Heinz Emigholz’s “Streetscapes” series is again a triptych. A prologue examines three buildings from the 1930s designed by Julio Vilamajó in Montevideo which could have inspired the work of Eladio Dieste, the subject of the main part of the film. The industrial and functional buildings presented span the period from 1955 to 1994; their organic brick construction is astonishing and inspiring.

In the darkest days of World War II, St. Peter’s was shrouded in the shadow of the swastika. But even as the Führer surrounded him, the Pope was plotting a secret counter-offensive. Wartime Pontiff Pius XII has been derided for his public silence about the Holocaust. But evidence suggests his silence may have been subterfuge.

This poignant documentary explores the unbreakable bond between multi-purpose K9s and their handlers.

Chris Distefano is trying to be the best father he can be but nowadays, words speak louder than actions—so Chris is acting with the right intentions, but not always the right moves.

Louis meets the Phelps family — the people at the heart of the controversial Westboro Baptist Church. The Phelps have rabid anti-homosexual beliefs, and often campaign at the funerals of American soldiers. They believe that every tragedy in the world is God’s punishment for homosexuality.

Erwin Romulo, the late Alexis Tioseco’s best friend, recalls the events after the critic and his girlfriend Nika Bohinc’s untimely death in their home in Quezon City. Diaz makes use of one long take to allow Romulo an uninterrupted narration of the events. The pain of recalling is palpable.

The pro-Palestinian, anti-capitalist, BDSM-provocative, techno-punk performance art ensemble Hatari unsurprisingly drew attention to themselves with their performance at the Icelandic qualifiers for the Eurovision Song Contest. So much so that they won and therefore were allowed to perform at the main event in Tel Aviv. But what now? Should they boycott the event, swallow their idealism, or use their airtime to criticise the host country for their illegal occupation of Palestine? The Icelandic director Anna Hildur joins the boys in the band all the way to the fateful final.

A 1971–72 documentary film by Jonas Mekas. It revolves around Mekas’ trip back to Semeniškiai, the village of his birth.

A celebration of music and rallying cry across generations, genres, anchored by female icons whose songs and activism inspired the fight for equality, empowering all.

The Dark Files is an investigative docu-drama chronicling former CIA operative Barry Eisler, award-winning journalist Steve Volk, and documentarian Christopher Garetano’s exploration into the mythologies, conspiracies and accusations that surround Camp Hero, an abandoned military base in Montauk, Long Island.