After the birth of Renesmee, the Cullens gather other vampire clans in order to protect the child from a false allegation that puts the family in front of the Volturi.

Entirely shot on green screen, Shakespeare’s Macbeth has been reinvented by director Kit Monkman (The Knife That Killed Me) in an exciting new film adaptation. Starring Mark Rowley, (The Last Kingdom, Luther). Monkman’s unique adaptation successfully bridges the gap between theatre and film to create a wholly new type of imaginative space. This radical new adaptation puts the audience’s engagement with the story centre-stage, amplifying the theatrical context of the original and creating truly innovative and thrilling cinematic vistas, whilst maintaining the language and themes of Shakespeare’s original play. Using background matte painting and computer modelling to generate the world in which the action plays out, the green screen allows Monkman to create his vision of a multi-tiered globe in which the characters play out their various fates.

Tensions are high after a Danish freighter is captured and held for ransom by Somali pirates, leading to weeks of high-stakes negotiations – and an escalating potential for explosive violence.

In a Russian coastal town, Kolya is forced to fight the corrupt mayor when he is told that his house will be demolished. He recruits a lawyer friend to help, but the man’s arrival brings further misfortune for Kolya and his family.

A successful “house tuner” in New York City, who calibrates the sound in people’s homes in order to adjust their moods, meets a client with a problem he can’t solve.

Right before her wedding, a young woman finds herself abducted and held for ransom. As the initial days pass, she begins to develop a strange bond with her kidnapper.

Four high school teachers launch a drinking experiment: upholding a constant low level of intoxication.

A young girl is raised as a killer in the Yanbian province of China. She hides her identity and travels to South Korea where she hopes to lead a quiet life but becomes involved with two mysterious men.

In 1948, a cross-fire erupts at an isolated stretch of Indo-Pak border, leaving only two soldiers alive. One is an Indian soldier of Pakistani origin while the other happens to be a Pakistani soldier of Indian origin. An ironic story of pride and survival begins when – in an attempt to evade danger, they bump into each other. And amidst continuous exchange of bullets, altercations and murkier situations, it evolves into a journey of human connection with an unforeseeable end.

With dreams of diving abroad, Tsuneo gets a job assisting Josee, an artist whose imagination takes her far beyond her wheelchair. But when the tide turns against them, they push each other to places they never thought possible, and inspire a love fit for a storybook.

A bored journalist reporter’s baby monitor is picking up her neighbors’ phone conversations, and one neighbor’s dialogue in particular convinces her that he’s a murderer.

Shizuku lives a simple life, dominated by her love for stories and writing. One day she notices that all the library books she has have been previously checked out by the same person: ‘Seiji Amasawa’. Curious as to who he is, Shizuku meets a boy her age whom she finds infuriating, but discovers to her shock that he is her ‘Prince of Books’. As she grows closer to him, she realises that he merely read all those books to bring himself closer to her. The boy Seiji aspires to be a violin maker in Italy, and it is his dreams that make Shizuku realise that she has no clear path for her life. Knowing that her strength lies in writing, she tests her talents by writing a story about Baron, a cat statuette belonging to Seiji’s grandfather