It’s All Hallow’s Eve. A trio of costumed misfits with very special dietary requirements seizes a Mexican cantina and force the staff to engage in a late night of gaming, food and libations. The only caveat is what’s on the menu.

Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.

Combining 1980’s horror and 1950’s sci-fi, it’s the story of an idealist medical student with a serious Elvis obsession, who is determined to perfect his rat-to-rat brain transfer to “help mankind and change the face of modern science

Twenty years after their notorious tabloid romance gripped the nation, a married couple buckles under the pressure when an actress arrives to do research for a film about their past.

When Rachel Phelps inherits the Cleveland Indians from her deceased husband, she’s determined to move the team to a warmer climate — but only a losing season will make that possible, which should be easy given the misfits she’s hired. Rachel is sure her dream will come true, but she underestimates their will to succeed!

An outrageous collection of surreal, short attention span non-sequiturs largely revolving around Guitar Brother, his randy older sibling, and the pair’s portly Caucasian brother.

A young man who lives with his mother and has never known his father, heads off to look for him. He finds a cynical and Machiavellian man who works as a publisher in Paris. After he attempts to kill him, he finds filial love thanks to his uncle.

A high school English teacher becomes a weekend chaperone for three students at a drama competition.

Five young men linger in a postadolescent limbo, dreaming of adventure and escape from their small seacoast town. They while away their time spending the lira doled out by their indulgent families on drink, women, and nights at the local pool hall. Federico Fellini’s second solo directorial effort (originally released in the U.S. as The Young and the Passionate) is a semiautobiographical masterpiece of sharply drawn character sketches: Skirt chaser Fausto, forced to marry a girl he has impregnated; Alberto, the perpetual child; Leopoldo, a writer thirsting for fame; and Moraldo, the only member of the group troubled by a moral conscience. An international success and recipient of an Academy Award® nomination for Best Original Screenplay, I vitelloni compassionately details a year in the life of a group of small-town layabouts struggling to find meaning in their lives.

For Charles, video-games are a much needed escape from reality. But when virtual vixen Sophia leads him on a mysterious quest through the lovelorn lives of six New Yorkers, they will all learn that in the game of life…every heart is a moving target.

A once accomplished sculptor, a former college art teacher, but now a lonely graveyard shift doorman, Abner Roth is sadly a mere shadow of his former self. Having lost the love of his life and haunted by the death of a woman in a terrible car accident a year ago, he is desolate and suicidal but amusingly so. Step in Zoe, a free spirited taxi driver with a large hart and persuasive disposition. Zoe’s energy and outlook help Abner look at life anew and try to reconcile his conflicted past.

When obscenely rich hedge-fund manager James is convicted of fraud and sentenced to a stretch in San Quentin, the judge gives him one month to get his affairs in order. Knowing that he won’t survive more than a few minutes in prison on his own, James desperately turns to Darnell– a black businessman who’s never even had a parking ticket — for help. As Darnell puts James through the wringer, both learn that they were wrong about many things, including each other.