When best buds Rick and Fred begin to show signs of restlessness at home, their wives take a bold approach to revitalize their marriages: they grant the guys a “hall pass”, one week of freedom to do whatever they want. At first, it seems like a dream come true, but they quickly discover that their expectations of the single life – and themselves – are completely and hilariously out of sync with reality.
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From London’s Royal Court Theatre, acclaimed comedian Ahir Shah dishes on class, family and multiculturalism in the UK from his grandfather’s view.
When dysfunctional adult Al Clancy mistakenly agrees to mind his smart-ass 10-year-old nephew Karl for a week, his job and home are placed in jeopardy. In a bold bid to save Al’s job, they steal his mam’s camper van, become best friends, and embark on a criss cross adventure, putting up posters all over Ireland. When things go wrong and the lads get cranky, one of them realises that the other one needs to grow up.
Andy Miller has asked a large number of women he didn’t know to marry him. They said no. But Emma, a beautiful veterinary student agrees to go on some dates to see if they’ll fall in love. Emma thinks this is all a joke set up by her roommate Mandy, but it’s all a reality TV show created by Andy and Emma’s the oblivious star.
The story kicks off on Hartcliffe council estate in Bristol during the early 1980s. It follows Steven Knight, a working-class boy who has his motorbike stolen the day he buys it. Teaming up with his scoundrel friends he desperately tries to track it down before it’s gone for good.
Swedish efficiency researchers come to Norway for a study of Norwegian men, to optimize their use of their kitchen. Folke Nilsson (Tomas Norström) is assigned to study the habits of Isak Bjørvik (Joachim Calmeyer). By the rules of the research institute, Folke has to sit on an umpire’s chair in Isak’s kitchen and observe him from there, but never talk to him. Isak stops using his kitchen and observes Folke through a hole in the ceiling instead. However, the two lonely men slowly overcome the initial post-war Norwegian-Swede distrust and become friends.
An aspiring recording artist, Adam, is burned by a bad relationship experience and decides that if women won’t respond to the “nice guy” then he’ll be “the jerk.” This is wildly successful with meaningless relationships, but when Adam meets and falls for Molly, who doesn”t fall for his jerk routine, Adam is forced to reconsider his dating philosophy.