According to the legend of the Shangaan, white lions are the messengers of the gods, but it has been years since one has been seen in their remote African valley. When a white lion is miraculously born into that valley, a young Shangaan named Gisani, finds himself destined to protect this rare and magnificent creature at all costs. This young lion, whom will be known as Letsatsi, is cast from his pride and forced to embark upon a perilous journey of survival.

Three families go into crisis when their daughters get engaged because they are convinced that their young daughters have all chosen a wrong partner.

Chul-soo is one of Korea’s best intelligence agents: he can accomplish any given mission. One day, a mysterious explosion takes place in Seoul. Chul-soo flies to Thailand on a mission to rescue a person who holds clues to the incident. Meanwhile, Young-hee goes on a business trip to Thailand and gets entangled with Chul-soo’s mission. Will he accomplish his mission and save his wife at the same time?

After Kick-Ass’ insane bravery inspires a new wave of self-made masked crusaders, he joins a patrol led by the Colonel Stars and Stripes. When these amateur superheroes are hunted down by Red Mist — reborn as The Mother Fucker — only the blade-wielding Hit-Girl can prevent their annihilation.

Mortal World 2 tells the story of the Mermer family, who now continues their lives as outlaws, struggles with their own problems. Serhan has difficulty adjusting Begüm, who is pregnant, to their new life. While Serhat is now missing a woman in his life, Gazanfer struggles to keep his family together against the organization. However, Zafer’s fall into the hands of the organization turns everyone’s lives upside down. Looking for a way to reach Zafer, Gazanfer finds the solution by asking for help from an old friend. This time, the Mermer family will have to make one last heist to reunite with their children.

Salomé is 69-year-old and doesn’t want to grow old in a society that pays little attention to elderly people; thus, she has organized her disappearance. She plans her last evening in detail, as she thinks about the last time she will have sexual intercourse. With the held of Sandra, a filmmaker, Salomé organizes a casting to choose the person with whom she will make love for the last time. But, as she abandons herself to pleasures, she discovers something new: her last time will also be a first time, just like every end is also a new beginning.

The manager of a small town public access station questions the legacy of his favorite children’s show mascot when he learns that the man inside the costume had been carrying a dark and scandalous secret.

Strait-laced Princeton University admissions officer Portia Nathan is caught off-guard when she makes a recruiting visit to an alternative high school overseen by her former college classmate, the freewheeling John Pressman. Pressman has surmised that Jeremiah, his gifted yet very unconventional student, might well be the son that Portia secretly gave up for adoption many years ago. Soon, Portia finds herself bending the rules for Jeremiah, putting at risk the life she thought she always wanted – but in the process finding her way to a surprising and exhilarating life and romance she never dreamed of having.

Compton’s first feature was the autobiographical Stranded, which she wrote, directed, starred in, self-financed and distributed. Released in 1965, the film shares the cinematic experimentation and stylish, youth-centric rebellion of the French New Wave made even more radical by its progressive portrayals of female independence and sexuality, beatnik culture, and discussions of homosexuality. Stranded follows Raina, a young American woman (played by Compton), traveling through Greece with her American lover (Gary Collins), and her French, gay, best friend (Gian Pietro Calasso). Raina partakes in several love affairs rejecting marriage offers for no other reason than she likes her life the way it is. Made just prior to the arrival of second wave feminism, Compton, as writer-director, never judges her on-screen alter-ego the way similar female characters were frequently punished in other films during this era by stigmatizing female sexuality.

Niranjan Singh and Satwant Kaur crave a girl child after being neglected by their four sons, who don’t have any time for them. The couple comes up with a plan to shocks their sons as they decide to have another child.

A couple’s visit with their son takes a dramatic turn when the father tells him he plans on leaving his mother.

David Spade riffs on the humiliations of doctor visits, lemur season in paradise, falling for clickbait and the one selfie he can never get right.