With nine #1 albums to his name, Jimmy Barnes is one of Australia’s greatest rock icons. But his success masked a life of hardship and abuse, where the music that once saved him from oblivion almost came back to destroy him. Before Jimmy Barnes was Jimmy Barnes, he was James Dixon Swan, a troubled kid from the mean streets of Glasgow – and the even meaner streets of North Adelaide – trying to survive against a backdrop of addiction, alcoholism, poverty and abuse. For Jimmy, escape was the only option and he found it with a band called Cold Chisel. But the rock’n’roll lifestyle has its own temptations and the scars of childhood are always waiting to take you home. Based on the bestselling memoir and directed by veteran Australian filmmaker Mark Joffe, Working Class Boy is both an inspiring story of rock and redemption told in Barnes’ own words and an unflinchingly honest reflection on fame, creativity and depression.

The story of a band of brothers who travel the world in search of the answers to the burning questions: Who am I? Who is Man? Why do we search for meaning? Their journey brings them into the middle of the lives of the homeless on the streets of New York City, the orphans and disabled children of Peru, and the abandoned lepers in the forests of Ghana, Africa. What the young men discover changes them forever. Through one on one interviews and real life encounters, the brothers are awakened to the beauty of the human person and the resilience of the human spirit.

Far outside what’s normally taught as “history”, this 6-hour documentary attempts to explain what’s normally glossed over – Germany’s actions prior to WWII, Hitler’s popularity, the support of the Nazis by the Germans, the basis for hardline Nazi stances against Jews, and why Nazism was such a danger to the established world powers. It chronicles the German WWI defeat, communist attempts to take over Germany; hyperinflation during the Weimar Republic, widespread unemployment and misery that served as the foundation of Nazi principles, and Hitler’s amazing rise to power. It also reveals a personal side of Hitler: his family background, his artwork and struggles, and what motivated him to pursue a career in politics. While open to criticism for being “pro-Nazi” in its perspectives, the documentary does present many factual foundations for those perspectives, highlighting an endless list of hypocrisies and double-standards imposed on Germany in the years before, during, and after WWII.

Driven by a constant need to create, Phish frontman Trey Anastasio takes on new projects, including some of his most personal music to date as well as Phish’s ambitious New Year’s Eve show at Madison Square Garden.

Beyond the Light Barrier is the autobiographical true story of Elizabeth Klarer, a South African woman, and Akon, an astrophysicist from Meton, a planet of Proxima Centauri. Elizabeth was taken in his spaceship to Meton where she lived with his family for four months and bore his son. She came back to Earth with very detailed technical information of how the light propulsion system used in the spaceship operated and other information that greatly impressed earth scientists.

A personal diary of an eerily empty and haunting metropolis captured while running through city streets, embalmed in a state of suspended animation.

A documentary about the life of Pope John Paul II

A behind-the-scenes look at Rick Disharoon and his small-town, family-owned business, The Metal Shop, as the team gets the chance of a lifetime: to build an epic monster truck for Danny McBride and one of Hollywood’s biggest television shows, “The Righteous Gemstones.”

In Pride And Prejudice: Having A Ball, social historian Amanda Vickery leads the action as a team of experts recreate a Regency ball in honour of the 200th anniversary of Jane Austen’s popular novel. Joined by Alastair Sooke and a coterie of professionals – a food historian, a costume expert, music history academics and a choreographer who trains a team of dance students to take to the floor– cameras will follow the recreation inspired by Austen’s Netherfield ball. This intimate country house ball drives the plot of the Pride And Prejudice, and is a key turning point in the romance between Elizabeth Bennett and Mr Darcy.

Seemingly overnight a collection of prominent & controversial political commentators were more or less stripped of their online existence by social media giants. These commentators speak about what it is like being unpersoned & what can or should be done to stop it.

Wiz’s Weekender (1992) was a film ahead of its time, both in form and content. It engaged with contemporary issues that mainstream media were eager to sensationalise. Consequently, it was branded with an 18 certificate and banned by both the BBC and ITV, never reaching a wider audience. For the past three decades, Weekender has bubbled just below the surface, gaining genuine cult status and influencing a vast network of creators. In the run-up to its thirtieth anniversary filmmakers Tabitha Denholm and Adam Dunlop interviewed people involved in the project. I Am Weekender is built around those conversations.

A child who just loved to skate from the age of eight, Poppy Starr Olsen became the number one female bowl skater in Australia at 14 and went on to take out bronze at the XGames at 17 – the ultimate competition in the world of skateboarding. The same year, skateboarding was announced as an official additional sport category at the Tokyo 2020 Olympics. Now faced with the opportunity to represent Australia on the world stage Poppy grapples with the transition from skater to athlete and the pressure of competition mounts in a way it has never done before.