Early one summer morning a young man, with a secret stashed away in a duffel bag, emerges from the forest. In a nearby village he asks around for work, but the farmers, suspicious to the point of hostility, are not very forthcoming. Only when Lucy, the mayor’s unruly daughter, takes a liking to him, does the village change its attitude: he is promptly offered a job as a farmhand and a caravan to live in. As time passes and he is gradually integrated into the community, it emerges that he’s not the only one with a past to hide. Something sinister is lurking under the immaculate surface of this picturesque little world – and it is slowly drawing him in.
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A lifetime ago in a sleepy Michigan lake town, Hannah Howard (Melissa Anschutz) experienced something otherworldly. For years the event was pushed to the corners of her mind, seemingly forgotten until a trip home starts unlocking her past memories. Can her advice-giving, hippy-mother (Victoria Jackson) or the small town preacher (Don Most) or her newly discovered, bigfoot-hunting brother (Josh ‘Ponceman’ Perry) help her make sense of it all? To add to the growing mystery, the strange events have started again upon Hannah’s return. Strange lights appearing in the sky over a place locals call the Devil’s Crossroads.
Intent on dispensing their own brutal form of justice, two ordinary men abduct a felon who committed a horrific crime many years before.
Sam Elliot stars as Sam Houston, the visionary who nearly single-handedly forged the state of Texas into a powerful entity in its own right. Refusing to forget the Alamo (as if anyone could), Houston led the military in Texas’ rebellion against Mexico. G.D. Spradlin co-stars as President Andrew Jackson, with Michael Beck appearing as Jim Bowie, James Stephens as Stephen Austin, and Richard Yniguez as Mexican General Santa Anna. Lensed on location in the Lone Star state, this sweeping made-for-TV film originally occupied three hours’ screen time on November 22, 1986. Its title at that time was Houston: The Legend of Texas. ~ Hal Erickson, Rovi
A group of men parachute into Japanese-occupied Burma with a dangerous and important mission: to locate and blow up a radar station. They accomplish this well enough, but when they try to rendezvous at an old air-strip to be taken back to their base, they find Japanese waiting for them, and they must make a long, difficult walk back through enemy-occupied jungle.
Enea chases after the myth he bears in his name; he does so to feel alive in a dead and decadent age. He does so together with Valentino, a newly baptized aviator. The two, in addition to dealing and partying, share youth. Lifelong friends, victims and perpetrators of a corrupt world, but moved by an incorruptible vitality. Beyond the boundaries of rules, on the other side of morality, there is a sea full of humanity and symbols to be discovered. Enea and Valentino will fly over it to the furthest extremes. However, drugs and the underworld are the invisible shadow of a story about something else: a melancholy father, a brother fighting at school, a mother defeated by love and a beautiful girl, a happy ending and a happy death, a palm tree falling on a glass world.
Documentary about British artist Andrew Logan as he attempts to put on the 2009 edition of his Alternative Miss World. The film also presents a history of the contest (which has run eccentrically since 1972) which was set up firstly as an excuse to have a good party, but has grown into a celebration of alternative lifestyles and sexualities. The documentary mixes archive footage, animated inserts, with talking head interviews and a fly-on-the-wall look at the organisation of the 2009 event
Santosh suffers from a psychological problem that causes him to be insecure about his size. Struggling to find a solution, he erases the idea of marriage altogether until he meets Amrutha, with whom he falls in love.
When LexCorps accidentally unleash a murderous creature, Doomsday, Superman meets his greatest challenge as a champion. Based on the “The Death of Superman” storyline that appeared in DC Comics’ publications in the 1990s
The investigation about an alleged international spy after the Nazi refugees in Argentina gives way to a plot that expands, becomes delirious and branches off. A mockumentary that has, at its center, an elusive woman whose trail can be traced in the most emphatic convulsions of the 20th century.
Many interested parties are after the loot from a factory payroll heist but the mobster who hid it has amnesia after undergoing experimental brain surgery in the prison hospital.
