U. S. Marshals Nevada Jack McKenzie and Sandy Hopkins come upon an overturned stagecoach with the driver and the passenger dead. They learn that the passenger, Hinkley, an archaeologist, has discovered an old Indian site that contains gold relics, and a gang has robbed him of the relics he was carrying. Jane Condon, daughter of Hinkley’s partner who was also murdered, tells Nevada that an old Indian guide, Shag, is the only one who knows where the site is. The outlaws find Shag first, and kill him after forcing the information from him. Hinkley’s son, Joel, arrives and knows where the site is and leads Nevada and Sandy there ahead of the outlaws.
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An alien scout lands on earth in the year 1854. The creature is searching for water and food. Once it finds what it needs, it will call in an invasion fleet. A lone cowboy must stand against the alien invader or all will be lost.
In effect, modern cow town Spurline is run by Virgil Renchler, owner of the Golden Empire Ranch. One night, two of Virgil’s henchmen go a little too far and beat a “bracero” ranch hand to death. Faced with an obvious cover-up and opposition on every hand, sheriff Ben Sadler is goaded into investigating. His unlikely ally: Renchler’s lovely, self-willed and overprotected daughter. Will Ben survive Renchler’s wrath?
Jake Wade breaks Cling Hollister out of jail to pay off an old debt, though it’s clear there is some pretty deep hostility between them. They part, and Jake returns to his small-town marshal’s job and his fiancée only to find he has been tracked there by Hollister. It seems they were once in a gang together and Jake knows where the proceeds of a bank hold-up are hidden. Hollister and his sidekicks make off into the hills, taking along the trussed-up marshal and his kidnapped bride-to-be to force the lawman to show them where the loot is.
A Texan arrives in Oregon and seeks justice for his innocently-hanged brother
Just as Fritz Lang’s Metropolis (1927) is testimony to German silent film art, The Story of the Kelly Gang (1906) symbolises both the birth of the Australian film industry and the emergence of an Australian identity. Even more significantly it heralds the emergence of the feature film format. The Story of the Kelly Gang, directed by Charles Tait in 1906, is the first full-length narrative feature film produced anywhere in the world. Only fragments of the original production of more than one hour are known to exist and are preserved at the National Film and Sound Archive, Canberra. (unesco.org)
During America’s Civil War Union spies steal engineer Johnnie Gray’s beloved locomotive The General – his lady love, Annabelle Lee, aboard an attached boxcar – and he single-handedly must do all in his power to both get The General back and to rescue Annabelle. Released throughout most of the world in 1927, this Silent comedy-action film flopped when originally released, but now is regarded as one of the great American motion pictures. The story is based on actual historic events.
In 1870s Texas, a ruthless bounty hunter and an Irish desperado flee the law with a young criminal claiming to possess a treasure more valuable than gold. Crossing paths with some of the West’s most notorious figures, the three outlaws fight for their lives in the pursuit of fame and fortune. Fueled by an ensemble cast and inspired by actual events, THE LEGEND OF HELL’S GATE blends legend and history into a Western spectacle that recounts a treacherous existence in post Civil War Texas.
Marshal Chris Adams turns down a friend’s request to help stop the depredations of a gang of Mexican bandits. When his wife is killed by bank robbers and his friend is killed capturing the last thief, Chris feels obligated to take up his friend’s cause and recruits a writer and five prisoners to destroy the desperadoes.The last in the original series of four “Magnificent Seven” movies.
Before the U.S. Civil War rebel leader Luke Darcy sees himself as leader of a new independent Republic of Kansas but the military governor sends an ex-raider to capture Darcy.
Young Travis Coates is left to take care of the family ranch with his mother and younger brother while his father goes off on a cattle drive in the 1860s. When a yellow mongrel comes for an uninvited stay with the family, Travis reluctantly adopts the dog.
Columbia’s 11th serial and the first western serial that James W. Horne solo-directed.
