A police officer’s partner has died during Hurricane Katrina, but he later discovers that his partner may have been murdered. An investigation follows, taking the officer and his new partner into the depths of the criminal underworld.

To the Rider his moped is everything. As a pizza delivery driver it is his livelihood. As a breadline straddling, immigrant father it is his family’s anchor. It takes his wife to work. It gets his daughter to school. So when one night the moped is stolen, his world collapses. He has to get back his bike – or replace it – in whatever way possible, before his next shifts starts. If he fails, he won’t just lose his job, he will lose it all. He tries to ask the few familiar faces for help in this unfamiliar, disorienting city. However, as he runs out of time and his options are wearing thin, his moral compass begins to crack and he grows more and more willing to forgo his conscience in order to save himself and his family.

Three twenty-something couples, one gay, one lesbian, and one straight, travel to a beach house to enjoy the last days of summer, but what should be a fun and carefree weekend becomes an exploration of what it takes to sustain a healthy relationship.

Living in her family’s secluded mansion, Audrina is kept alone and out of sight and is haunted by nightmares of her older sister, First Audrina, who was left for dead in the woods after an attack. As she begins to question her past and her disturbing dreams, the grim truth is slowly revealed.

Jobless sportswriter Eddie Willis is hired by corrupt fight promoter Nick Benko to promote his current protégé, an unknown Argentinian boxer named Toro Moreno. Although Moreno is a hulking giant, his chances for success are hampered by a powder-puff punch and a glass jaw. Exploiting Willis’ reputation for integrity and standing in the boxing community, Benko arranges a series of fixed fights that propel the unsophisticated Moreno to #1 contender for the championship. The reigning champ, the sadistic Buddy Brannen, harbors resentment at the publicity Toro has been receiving and vows to viciously punish him in the ring. Eddie must now decide whether or not to tell the naive Toro the truth.

The drug cartels are putting a financial strangle hold on a small Texas town, forcing a Vietnam vet to lose his job at a local garage. He soon learns about one hundred thousand dollars buried by the cartel in a false grave.

Organized crime boss Meyer Lansky remembers his life as he is moving about the world looking for some country that will take him in since the USA have put out an extradition order for him.

Group of prostitutes who rely on each other to revolt against their sinister pimps. Their bid for freedom turns much more dangerous than they ever imagined.

Self condemned to the immense and boundless prison of the Mojave desert, Phoenix leads a life of forced isolation, living by himself in a house as far away as possible from the rest of the world. Phoenix does one thing and one thing only: he digs holes. Every month he digs a hole in the middle of nowhere and buries something. The last stronghold of society stands with the man that frequently delivers his mail. When one day the delivery doesn’t happen by the hand of his trustworthy mailman, but by that of the beautiful and quizzical Ariel, Phoenix’s life derails in an escalation that leads him to dangerous consequences which will be impossible to escape.

The real-life story of Gisella Perl, a Jewish Hungarian doctor imprisoned in the notorious Auschwitz death camp of World War II.

This South African movie tracks the rise of a once-petty criminal to the heights of the criminal underworld. After cutting his teeth on hijacking, before moving onto bigger game, an ambitious man hits a setback when most of his gang are shot.

A Farewell to Arms is a 1957 American drama film directed by Charles Vidor. The screenplay by Ben Hecht, based in part on a 1930 play by Laurence Stallings, was the second feature film adaptation of Ernest Hemingway’s 1929 semi-autobiographical novel of the same name. It was the last film produced by David O. Selznick.