Amid acrimonious divorce proceedings, Louise (Blythe Danner) unwittingly puts her life in danger when she contests the prenuptial agreement she signed before marrying attorney Arthur Jamison (Anthony Hopkins). He plans to kill her to resolve the situation. Armed with information on how her cheating husband conducts his business and personal affairs, she demands more money from him — but will Arthur have the final word?
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The wife of a barbaric crime boss engages in a secretive romance with a gentle bookseller between meals at her husband’s restaurant. Food, colour coding, sex, murder, torture and cannibalism are the exotic fare in this beautifully filmed but brutally uncompromising modern fable which has been interpreted as an allegory for Thatcherism.
An aloof, struggling food photographer thinks he has found true love with a fiery grade-school teacher. At first, the relationship is all wine and roses, but as they realize they have little in common besides great sex, the romance wanes, and they struggle through a succession of break-ups and reunions as they try to work things out.
Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine in director D.W. Griffith’s controversial Civil War epic. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie’s congressman father and his African-American protégé, Silas Lynch.
After returning from a wedding reception, a couple staying in an isolated vacation house receive a knock on the door in the mid-hours of the night. What ensues is a violent invasion by three strangers, their faces hidden behind masks. The couple find themselves in a violent struggle, in which they go beyond what either of them thought capable in order to survive.
