A musician designs on pulling off a scheme to rob his way into the good life, which quickly gets him in over his head.
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The Davenport sisters have drifted apart over the years but when their Dad wins the lottery all he wants is having his girls home for Christmas. Getting over years of resentment proves a big task but it’s pushed aside when their mother suffering from dementia looses the ticket. They put aside their differences to help find the ticket and in doing so get over their differences and finally learn to come together.
Young Viscount Tony Pym wangles National Service leave on the pretext of standing as a Tory candidate for a local seat held by his family for generations. The request is a ruse to enable Pym to marry his wealthy American fiancee while she’s still in England, but his masterplan backfires when he finds himself swept into an election campaign and beaten by Labour’s Mr Cleghorn – who is then made a peer. In an attempt to save face, Pym decides to stand again – as a socialist. It all proves too much for the Pyms’ loyal, true-blue butler, Mr Beecham…
In this fun family comedy, a village rooster’s punctual (and loud!) crowing keeps everyone awake until a group of sleepy locals hatch a scheme to get rid of him.
A promise, a girl, and a gangster.
3 separate stories take place over two days. The characters’ paths intersect, and they affect each-other unintentionally.
When Leonard Vole is arrested for the sensational murder of a rich, middle-aged widow, the famous Sir Wilfrid Robarts agrees to appear on his behalf. Sir Wilfrid, recovering from a near-fatal heart attack, is supposed to be on a diet of bland, civil suits – but the lure of the criminal courts is too much for him, especially when the case is so difficult.
Ray Ferrier is a divorced dockworker and less-than-perfect father. Soon after his ex-wife and her new husband drop of his teenage son and young daughter for a rare weekend visit, a strange and powerful lightning storm touches down.
Tommy Gibbs is a tough kid, raised in the ghetto, who aspires to be a kingpin criminal. As a young boy, his leg is broken by a bad cop on the take, during a payoff gone bad. Nursing his vengeance, he rises to power in Harlem, New York. Angry at the racist society around him, both criminal and straight, he sees the acquisition of power as the solution to his rage.
Turkish director Hasan Karacadag is something of an unusual case. In a nation that appears uncertain how to feel about its own history with exploitation film and generally reluctant to embrace genre film – though there are obvious exceptions – Karacadag has jumped headlong into the horror pool. The director first came to attention with the J-horror influenced D@BB, a surprise hit in Turkey that allowed Karacadag to move on to the more visually ambitious – and effects heavy – effort, Semum. Both film showcased Karacadag’s growing ability to shock and terrify his audiences by taking the rich folklore of his country and pushing it to its dark extremes. And he’s at it again with D@BB: Bir Cin Vakasi. The sequel to his original hit, this latest efforts puts away the Japanese influence in favor of a more Paranormal vibe, but the underlying mythology remains purely regional with the story following a Turkish family whose home is possessed by angry jinns
When a hateful, vitriolic basement dwelling podcaster goes viral, he garners an audience of violent sycophants and incensed enemies – and faces deadly backlash when he’s doxxed by activist hackers.
