Guardian chronicles the work of wildlife stewards amid sweeping legislative rollbacks of environmental protections in Canada. Part hermit, part biologist, Guardians live on boats, full-time, in one of the last pristine frontiers of the world to monitor salmon, the backbone of the ecosystem, economy, and culture along British Columbia’s coast. But, in an age of science censorship and soaring resource extraction in the form of fracking for oil and natural gas, Guardians and the wildlife they have dedicated their lives to protect are now disappearing.
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In the center of the story is the life of the indigenous people of the village Bakhtia at the river Yenisei in the Siberian Taiga. The camera follows the protagonists in the village over a period of a year. The natives, whose daily routines have barely changed over the last centuries, keep living their lives according to their own cultural traditions.
His name might not be very familiar, but the works of graphic artist Milton Glaser — whose prolific output includes the “I Love NY” ad campaign, as well as album covers for Townes Van Zandt and Nina Simone — are recognizable to many. Revisiting the famed paintings, drawings, logos, prints, posters and other works by Glaser, filmmaker Wendy Keys creates a rich and engaging mosaic of a key figure in American iconography.
This is a film for these frenetic times; a meditative respite from the rush and chaos of the modern world. A study of the universal experience of sleep, that unites us all.
The Somerset Levels are one of the most beautiful parts of Britain, but in the winter of 2013 they faced a natural disaster. One village, Moorland, was entirely engulfed by the floods. Deluged by water, the villagers watched helplessly as their lives and homes were washed away. This programme follows their year-long struggle to get home again after the water drained and media attention shifted away. Although the residents put on a brave face, the realities of their fate pile up – the refusal of insurance companies to pay up, and the months of delay with the builders. All this adds fuel to a heartfelt frustration that the floods were man-made and the nagging fear of what would happen to them if and when the waters return.
Joe Cross took viewers on his journey from overweight and sick to healthy and fit via a 60-day juice fast in the award-winning Fat Sick and Nearly Dead. With Fat, Sick & Nearly Dead 2, he looks at keeping healthy habits long-term.
This documentary-drama hybrid explores the dangerous human impact of social networking, with tech experts sounding the alarm on their own creations.
This 3-D film chronicles the love, community, and life of festival-goers during Electric Daisy Carnival Las Vegas, the largest music festival in the U.S. Behind-the-scenes footage and exclusive interviews with Insomniac’s Pasquale Rotella reveal the magic that makes this three-night, 345,000-person event a global phenomenon.
A dogged family-run paper in Iowa gives citizens the scoop on forces threatening to overwhelm their precarious small-town existence.
Challenging all notions of genre, Semi Colin is a living, breathing art installation. Part performance, part art, part social comment, Colin philosophizes on his life’s obsessive work as an erotic artist.
When Nirvana burst onto the scene in 1991, the music they played spoke directly to an angry and disenfranchised generation. As grunge took over MTV and radio, the music industry was transformed overnight. But just three years later, the drug-related deaths of several musicians, capped by the suicide of Kurt Cobain, closed the books on an all too brief era. Hit So Hard follows the rise to fame (and the near-fatal fall from it) of Patty Schemel, drummer for Courtney Love’s seminal rock band, Hole. Given a Hi-8 video camera just before Hole’s infamous Live Through This world tour, Patty captured stunningly intimate footage of the scene that has never been seen… until now. Not just an all-access backstage pass to the music that shaped a generation, Hit So Hard is a harrowing tale of overnight success, the cost of addiction, and ultimately, recovery and redemption.
Documentarians Justine Shapiro and B.Z. Goldberg traveled to Israel to interview Palestinian and Israeli kids ages 11 to 13, assembling their views on living in a society afflicted with violence, separatism and religious and political extremism. This 2002 Oscar nominee for Best Feature Documentary culminates in an astonishing day in which two Israeli children meet Palestinian youngsters at a refugee camp.