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A successful but stressed mathematics professor goes to her father’s wedding and falls in love with her father’s bride’s son, a prematurely retired pro baseball player. She must choose between him and her current boyfriend, between Chicago and New York, and between research and administration.
A married couple struggle with the realities of their imperfect marriage as they fight to save and rehabilitate their teenage daughter from a life of drug addiction and ultimate committal to a mental ward.
When the nephews come to Donald’s house in their Halloween costumes he dumps water on them and laughs at his trick. A witch sees this and decides to help the kids. By magic she gives Donald a bad time and the kids finally get their treats.
A satirical take on the mundane absurdities of life in modern-day Iran, these nine vignettes illuminate the lighter side of enduring under authoritarian rule. Whether choosing a name for a newborn, graduating from grade school, getting a driver’s license, applying for a job, or seeking approval for a film script, if you live in Iran, you best come fluent in Orwellian discourse. Progressing along a rough timeline from birth to death, each story is shot in a static camera angle as a single petitioner negotiates with an authority figure hovering just outside of frame, who is practiced in the language of doublespeak.
An all-Irish cast (including Donal McCann, Rachael Dowling and Colm Meaney) lends authenticity and gravitas to director John Huston’s final film, an elegiac take on a short story by James Joyce (from The Dubliners). After a convivial holiday dinner party (circa 1904), things begin to unravel when a husband and wife address some prickly issues concerning their marriage. The movie stars Huston’s daughter, Anjelica, and was scripted by his son, Tony.
A woman’s panicked decision to cover up an accidental killing spins out of control when her conscience demands she return the dead man’s body to his family.
Tragedy befalls Congresswoman Nell Harrington and her family when her son-in-law dies in a car accident, and Harrington’s pregnant daughter, Phoebe, is propelled into a downward spiral. Things gets worse when Harrington learns that her son-in-law was on cocaine at the time of the accident, and her daughter was using right along with him. What does this mean for Harrington’s impending Senate campaign — and the health of Phoebe’s unborn child?