Former Tabernacle Choir guest artist and Tony Award-winner, Brian Stokes Mitchell, is back to remember and relive twenty years of inspiring Christmas concerts. From opera, gospel, and pop singers to Broadway and cabaret stars; from Shakespearean actors and movie and television stars, the Choir’s guest artists provide, not just formidable talent, but a little something for everyone.

Camp Confidential: America’s Secret Nazis, a documentary short featuring animation, directed by Daniel Sivan and Mor Loushy (The Devil Next Door, The Oslo Diaries) and produced by Benji and Jono Bergmann (Wirecard, Mau), focuses on the story of a top secret POW camp that was classified for over 5 decades. In the midst of WWII, a group of young Jewish refugees are assigned to guard a top secret POW camp near Washington D.C. The Jewish soldiers soon discover that their prisoners are no other than Hitler’s top scientists – What starts out as an intelligence mission to gather information from the Nazis, soon gets a shocking twist when the Jewish soldiers are tasked with a very different mission altogether. A mission that would question their moral values – exposing a dark secret from America’s past.

Man has a new best friend in this heartwarming portrait of nine men whose lives have been forever changed by their proud love of cats.

For over a hundred years, Mărculești was a vibrant Jewish agricultural and mercantile community in Bessarabia (now present-day Moldova). In July 1941, the village was the site of an unimaginable atrocity. Seventy-three years later, few speak honestly or completely about what happened. ABSENT is a cinematic portrait of the ghost village of Mărculești, its current inhabitants, and their very complex relationship to their own history. Filmed entirely on location, the film documents one of Europe’s poorest, most remote, and least-visited places.

Toyland apparently does exist. A toy museum in Vermont houses nearly 100,000 toys with the goal of creating a space for people to remember the worry-free days of their childhood. This short documentary will enrapture viewers with nostalgia and newfound curiosity.

In a country famous for its success in international beauty pageants, three young women are fighting to participate in their nation’s most celebrated cultural institution. But obtaining a place in the Miss Venezuela contest is no easy task. Women must endure grueling diets, consent to intensive plastic surgery, and find the resources necessary to transform themselves from ordinary citizens into famous and illustrious Misses. To Be a Miss is a character-driven documentary that takes the viewer through the inner workings of Venezuela’s renowned beauty factory, revealing the risks and rewards associated with this multi-billion dollar industry while exposing what nationalism, personal ambition, and the influence of mass media has meant for women in the country.

This in-depth documentary explores the dark side of American higher education, exposing predatory for-profit colleges and the tactics they use to defraud students and the government.

They don’t need a gun registry to find you.

The comedian takes a look back at the darker side of the royal family’s 1000-year history, and wonders how generations of land-grabbing, child-murdering, wife-beheading, slave-trading, misogyny, violence and empire-building have shaped our royal family today.

The History Channel marks the 20th anniversary of 9/11 with a new groundbreaking documentary about the biggest manhunt in human history. This documentary draws on interviews and stories told in the Museum’s special exhibition of the same name, and features interviews with Jan Seidler Ramirez, chief curator and executive vice president of collections, to tell the sweeping tale, linking policy, intelligence, and military decision-making as they converged on a mysterious compound in Abbottabad, Pakistan.

Anat Gov, one of the most influential playwrights in Israeli theatre, is preparing for her death. She asks Arik Kneller, an artists’ agent, to be the executor of her will. Arik struggles to accept the humor and serenity with which she faces her upcoming end. Anat, consciously accepting her nearing end, wishes to leave a spiritual legacy: there can be a happy ending. Almost a decade after her death, her loved ones try to fill the void left by her words with their own. Through excerpts from her plays and footage of her family and political world, a new script is written: one in which the line between the play and reality is blurred.

Over the course of one year, this film follows the life of an ordinary Pyongyang family whose daughter was chosen to take part in one of the famous Korean “Spartakiads”. The ritualized explosions of color and joy contrast sharply with pale everyday reality, which is not particularly terrible, but rather quite surreal, like a typical life as seen “through the looking glass”.