GRIMY is the story of an undercover officer named Rogers. (Maurandis Berger) He is the only one who can get in close enough to these criminals that terrorize neighborhoods with drugs and violence. He is often assigned to neighborhoods that he grew up in, but he finds himself becoming part of the problem as he almost becomes what he’s trying to bring down. Now Officer Rogers must make a choice of which side he will take, his oath or his feelings.
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The story of artist Edith Lake Wilkinson, a painter who was committed to an asylum in 1924 and never heard from again. All her worldly possessions were packed into trunks and shipped to a relative in West Virginia where they sat in an attic for 40 years. Edith’s great-niece, Emmy Award winning writer and director Jane Anderson, grew up surrounded by Edith’s paintings, thanks to her mother who had gone poking through that dusty attic and rescued Edith’s work. The film follows Jane in her decades-long journey to find the answers to the mystery of Edith’s buried life, return the work to Provincetown and have Edith’s contributions recognized by the larger art world.
Mark Thackeray (Poitier) is a West Indian, who in the 1967 film had taken teaching in a London East End school. He spent twenty years teaching and ten in administrative roles. He has taught the children of his former pupils, but is now retiring.
A CEO (Wilma Elles) from the world’s largest telecommunications company is about to expose secrets of how the left wing media uses movies to control the masses at the behest of their deep state overseers in the political arena. As her secrets are revealed through a series of live broadcasts, her former associates send private military contractors to assassinate her. She hires a condemned ex-Commando (Michael Paré) to keep her alive long enough to get her crucial message out to the world.
A tech worker with agoraphobia discovers recorded evidence of a violent crime, but is met with resistance when she tries to report it. Seeking justice, she must do the thing she fears the most: she must leave her apartment.
Just north of London live Wendy, Andy, and their twenty-something twins, Natalie and Nicola. Wendy clerks in a shop, leads aerobics at a primary school, jokes like a vaudevillian, agrees to waitress at a friend’s new restaurant and dotes on Andy, a cook who forever puts off home remodeling projects, and with a drunken friend, buys a broken down lunch wagon. Natalie, with short neat hair and a snappy, droll manner, is a plumber; she has a holiday planned in America, but little else. Last is Nicola, odd man out: a snarl, big glasses, cigarette, mussed hair, jittery fingers, bulimic, jobless, and unhappy. How they interact and play out family conflict and love is the film’s subject.
When Alice (Lawrence), a beloved neonatal intensive care unit supervisor, is forced to take early retirement, her young colleague Jenny (Ullerup) decides to turn the upcoming staff Christmas party into a surprise celebration for her. The plan is complicated by Matt (Polaha), the hospital’s new CFO, who’s been tasked to cut costs. Initially at loggerheads, Jenny and Matt get to know and understand each other —a sweet Christmas gift neither saw coming.
Ex-con turned “scrapper” Jake leads a quiet life caring for his family until he is pursued by violent Punjabi and Mexican criminals following a botched robbery.
An attempt to re-contextualize the European migrant crisis and ongoing hostilities in Syria, through eyewitness and participant testimony. Children and parents recount the revolution, civil war, air strikes, atrocities and ongoing humanitarian aid crises, in a portrait of recent history and the consequences of violence.
After a decade apart, Maggie tracks down her elusive father. His fixation with UFOs has intensified over the years, which frustrates her attempts to communicate some big news.
Lilah Krytsick is a mother and housewife who’s always believed she could be a stand-up comedian. Steven Gold is an experienced stand-up seemingly on the cusp of success. When the two meet, they form an unlikely friendship, and Steven tries to help the untried Lilah develop her stage act. Despite the objections of her family and some very wobbly beginnings, Lilah improves, and soon she finds herself competing with Steven for a coveted television spot.
