Known for his spectacular pyrotechnic displays, Chinese artist Cai Guo-Qiang creates his most ambitious project yet: Sky Ladder, a visionary, explosive event that he pulls off in his hometown in China after 20 years of failed attempts.

One of music’s biggest stars returns home to Fayetteville, NC, delivering a riveting performance in the exclusive HBO presentation J. COLE FOREST HILLS DRIVE: HOMECOMING, debuting SATURDAY, JAN. 9 (10:00–11:30 p.m. ET/PT). Part concert film, part backstage pass, the special tells his compelling life story through Cole’s own words and music, and through the observations of those who know him best. Featuring guest appearances by Jay Z and Drake, J. COLE FOREST HILLS DRIVE: HOMECOMING showcases live versions of all 13 songs from his third album, “2014 Forest Hills Drive.” Cole delivers a powerful performance that leaves his fans elated or in tears, connecting with audiences in a way few others can. Songs from “2014 Forest Hills Drive” include “January 28th,” “Wet Dreamz,” “03’ Adolescence,” “A Tale of 2 Citiez,” “Fire Squad,” “St. Tropez,” “Love Yourz,” “G.O.M.D.,” “No Role Modelz,” “Hello” and “Apparently.”

From space, our planet appears as a tiny blue dot in the vastness of space. Blue, because 99% of all living space on Earth occurs in the Ocean. But the seas are under threat. The industrialization that has occurred in the oceans over the last century mirrors the events that triggered mass extinctions on land. As we learn of the ecological crimes occurring worldwide, we also uncover the shocking truths happening on our own shorelines.

Charles Lloyd was one of the most influential jazz musicians of the 1960s. His music crossed traditional boundaries and explored new territories. Catapulted into worldwide fame in his 20s, by his early 30s, he abandoned his life of touring and recording and went into seclusion in Big Sur, CA. Circumstance brought him back to a public life in the late 1980s. ‘Arrows Into Infinity’ is a journey in sound through the unusual life and career of this jazz legend. Lloyd’s own voice, and those who worked with him over the last five decades help us discover and better understand this enigmatic man and his spiritual pursuit through music. This film is a collaborative work between Lloyd’s wife Dorothy Darr; a painter, and videographer/filmmaker, Jeffery Morse.

Ever Deadly weaves concert footage with stunning sequences filmed on location in Nunavut, seamlessly bridging landscapes, stories and songs with pain, anger and triumph—all through the expressions of Tanya Tagaq, one of the most innovative musical performers of our time.

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A documentary about a beloved South Bronx matriarch and former “First Lady” of the Savage Skulls gang struggling to remain visible in a rapidly gentrifying community she helped rebuild in the 1980s. With one foot firmly grounded in the outlaw life and the other as an activist and spiritual advisor, Lorine Padilla straddles the complexities of multiple worlds.

Performing in his Cleveland hometown, David A. Arnold jokes about marital spats and entitled kids as he shares a behind-the-scenes look at his family.

A filmmaker sets out to discover the life of Joyce Vincent, who died in her bedsit in North London in 2003. Her body wasn’t discovered for three years, and newspaper reports offered few details of her life – not even a photograph.

The story of Manchester United legend Sir Matt Busby.

Bikes vs Cars depicts a global crisis that we all deep down know we need to talk about: Climate, earth’s resources, cities where the entire surface is consumed by the car. An ever-growing, dirty, noisy traffic chaos. The bike is a great tool for change, but the powerful interests who gain from the private car invest billions each year on lobbying and advertising to protect their business. In the film we meet activists and thinkers who are fighting for better cities, who refuse to stop riding despite the increasing number killed in traffic.

In the summer of 2015, former US Marine and world record weightlifter Matt “Kroc” Kroczaleski was publicly outed as being transgender. The reaction was universal: her sponsors abandoned her, she was disowned by her parents, banned from competing, and she changed her name to “Janae”. This film follows Janae as she attempts to find her place in society. Initially wanting to strip off the muscle and become a much smaller looking woman, she found herself unable to lose the muscle she so desperately gained. She now finds herself living one day as an alpha male and the next day as a delicate girl. Will Janae be able to handle her muscle relapses? Will her passage from being a male bring her the peace she’s looking for? Will society accept a 250lbs muscular woman? Is her path personal redemption or physical and psychological disaster?