In this Dickens adaptation, orphan Pip discovers through lawyer Mr. Jaggers that a mysterious benefactor wishes to ensure that he becomes a gentleman. Reunited with his childhood patron, Miss Havisham, and his first love, the beautiful but emotionally cold Estella, he discovers that the elderly spinster has gone mad from having been left at the altar as a young woman, and has made her charge into a warped, unfeeling heartbreaker.
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A woman tries to exonerate her brother’s murder conviction by proving that the crime was committed by a supernatural phenomenon.
So This is Love? was another early Frank Capra production for fledgling Columbia Pictures. The hero, dress designer Jerry McGuire (William Collier Jr.), is tired of being considered a wimp. After business hours, Jerry secretly takes boxing lessons, enabling him to knock the stuffings out of his burly rival Spike Mullins (Johnnie Walker). Jerry’s newfound pugilistic skills wins him the affections of store clerk Hilda Jensen (Shirley Mason), who’s just car-razy about “cave men.” Filmed in a fast three weeks, So This is Love? was completed before Frank Capra’s Matinee Idol but released afterward. Leading lady Shirley Mason was the sister of Viola Dana, who starred in Capra’s initial Columbia effort, That Certain Thing.
Russell, a single father, balances his work as a lawyer with the care of his five-year-old son after his wife abandoned them. When she reappears creating turmoil, he must deal with his new love interest and the job opportunity of a lifetime.
The Bonnie & Clyde story is re-told from a contemporary viewpoint. Clyde in this movie is a high school nerd working in the local burger joint. Urges to steal things are inflamed when he runs into Bonnie, the bored daughter of the local police commissioner, who is running with a street gang led by Kirk. Clyde immediately senses a kindred spirit in Bonnie. Initially she ignores him, but he rescues her from a shop-lifting charge and offers her a ride in a stolen van. Soon the two have taken guns from her father’s home and go off on a bloody crime spree…
When a sushi chef sees Jerry scurrying around his restaurant, he tells Tom to earn his keep by catching that sushi-stealing mouse.
Henry likes to kill people, in different ways each time. Henry shares an apartment with Otis. When Otis’ sister comes to stay, we see both sides of Henry: “the guy next door” and the serial killer.
A playful young man leads a very happy life, but everything changes when his father witnesses a heinous crime.
In this sequel to his 1978 “When Every Day Was the Fourth of July” (and a pilot to a prospective series), producer/director Dan Curtis recalls more of his youth during the late ’30, and follows a fictionalized family where the father has jeopardized a promising law career to defend a Jewish immigrant against the prejudices of a staid New England town.
With the help of an irreverent young sidekick, a bank robber gets his old gang back together to organise a daring new heist.