Upon hearing his wife was killed in the Iraq war, a father takes his two daughters on a road trip.
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Young and talented Han van Meegeren is a rebel in the early 1920’s Amsterdam art-scene. Because he paints in the style of his idols Rembrandt and Vermeer, critics find his work old-fashioned and they call him a copycat. Just to prove a point, he produces a fake Vermeer and tries to pass it off as a real one. It works. Instead of revealing the truth and thereby embarrassing the art world, he continues to make money off of his many forgeries. Soon he is caught in a web of lies and deceit, and his life spins out of control. Then one day, high ranking Nazi Hermann Göring knocks on his door, looking for a Vermeer for his private collection…
Battling insomnia and undiagnosed PTSD, a war veteran works nights as a projectionist at a decrepit theater. While struggling to adapt to civilian life, he soon finds himself tangled in an inescapable web of seduction, addiction, and violence.
Xatar’s way from the ghetto to the top of the charts is as dramatic as it is daring: Fatih Akin’s new film is based on the autobiographical novel »Alles oder Nix« (»All or Nothing«) of the probably most authentic exponent of German gangsta rap. From the hell of an Iraqi jail, Giwar Hajabi (Emilio Sakraya) emigrated to Germany as a young boy with his family in the mid-1980s and has to start right at the bottom. There are opportunities, but far more obstacles. Giwar’s rise from petty criminal to major dealer is swift. Until one shipment goes missing. In order to clear his debts with the cartel, he plans a legendary gold heist. But just as everything goes wrong, another door opens for Giwar thanks to his passion for music …
A down-on-his-luck ex-GI finds himself framed for an armored car robbery. When he’s finally released for lack of evidence–after having been beaten up and tortured by the police–he sets out to discover who set him up, and why. The trail leads him into Mexico and a web of hired killers and corrupt cops.
A retiring detective tries to discover the identity of a half charred woman found in front of a District Attorney’s boat who is pursuing a child serial killer.
Summer of 1945. A temporary orphanage is established in an abandoned palace surrounded by forests for the eight children liberated from the Gross-Rosen camp. Hanka, also a former inmate, becomes their guardian. After the atrocities of the camp, the protagonists slowly begin to regain what is left of their childhood but the horror returns quickly. Camp Alsatians roam the forests around. Released by the SS earlier on, they have gone feral and are starving. Looking for food they besiege the palace. The children are terrified and their camp survival instinct is triggered.
In 1978, when the push to decriminalise homosexuality has stalled, a group of activists decide they must make one final attempt to celebrate who they are. Led by former union boss, Lance Gowland, they get a police permit and spread the word. On a freezing winter’s night, they cloak themselves in fancy dress, join hands, and parade down oxford street. But they have no idea that angry police lie in wait, and the courage they find that night will finally mobilise the nation.
The story centers on a group of young people who travel back in time when they are in a movie theater just before closing time. They witness deaths during the closing days of Japan’s feudal times and on the battlefront in China before they are sent to Hiroshima just before the Aug. 6, 1945, atomic bombing of the city.
The deterioration of a small community in Fogo Island is forcing its inhabitants to leave and resettle. Places once occupied by humans are now becoming part of the tundra landscape. In spite of a condemn future, there are some residents who decide to remain, holding on to their memories and grieving for the past, when life in Fogo was different.