A conservative Indian family experiences a culture shock when it agrees to participate in a Canadian wedding.
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Every year, Megan, an ambitious young woman uses the weeks leading up to Christmas to become the ultimate holiday freelance assistant for hire, helping with any Christmas related tasks for extra income. But when the opportunity arrives to save a Christmas party and dazzle her crush, she must choose between the man of her aspirations and Mr. Right.
Sexy. Style-conscious. Extreme love affairs. Complicated friendships. Life happens all too quickly when Cloey is reluctantly plucked from her comfort zone and complete reliance on others is overturned – a secure relationship with her boyfriend unravels, her childhood best friend is moving away and daddy’s (Daniel Baldwin) checkbook closes. City Baby comments on the ladder-climbing mentality of always reaching for the next bigger, better thing – relationship, city, job – when sometimes what’s right in front of us is just fine. Scattered with cameos from Portland musicians like Stephen Malkmus of Pavement, live musical performances by Glass Candy and Starfucker, and a thoughtful soundtrack featuring all Portland bands and musicians, City Baby depicts a playground for semi-adults, revolving through the lives of cool kids.
Complex plots? This director didn’t want them. Expensive, famous stars? Didn’t need them. Glorious sets and costumes? He could take them or leave them. With his choreographer Hsu Hsia, John Lo Mar liked making lean, mean, fighting movies, and fans rejoiced. Here Wu Yuan-chin stars as “the Kid,” a monk whose education in the aptly named “Crazy Lo Han Fist” finds him battling a cruel bandit’s son and befriending an abused prostitute. From then on, it’s one fight after another in another John Lo Mar martial arts marvel.
Molly McKay is a profoundly autistic twenty-something woman who has lived in an institution from a young age following her parents’ death in a car accident. When the institution must close due budget cuts, Molly is left in the charge of her neurotypical, older brother, Buck McKay, an advertising executive and perennial bachelor. Buck allows her to undergo an experimental medical treatment, with unexpectedly drastic results.
Hayley is an interior designer who plans to surprise her recently widowed mother Patricia with the perfect holiday present: the extended family she knows her mom yearns for.
It’s 1984, and Michael Jackson is king – even in Waihau Bay, New Zealand. Here we meet Boy, an 11-year-old who lives on a farm with his gran, a goat, and his younger brother, Rocky (who thinks he has magic powers). Shortly after Gran leaves for a week, Boy’s father, Alamein, appears out of the blue. Having imagined a heroic version of his father during his absence, Boy comes face to face with the real version-an incompetent hoodlum who has returned to find a bag of money he buried years before. This is where the goat enters.
When Chihaya Ayase was in the 6th grade of elementary school, she met Arata Wataya. Arata Wataya transferred from Fukui Prefecture. Taichi Mashima was Chihaya Ayase’s friend since they were little. Arata got close to Chihaya and Taichi from the card game karuta. Four years later, Chihaya is a high school student. Chihaya learns that Arata, who went back to Fukui Prefecture, doesn’t play karuta anymore. Believing they will meet Arata again, Chihaya and Taichi starts a karuta club at their high school.
A black cat is suspected of being possessed by the spirit of a elderly murdered woman.
Haru, an orphaned American who washes ashore in Japan and is mistaken for the great White Ninja of legend. Raised among the finest Ninjas, Haru grows strong and big – very big. With the grace of all Three Stooges rolled into one body, Haru is an embarrassment to his clan. But when a beautiful blonde pleads for his help, Haru is given one dangerous, disastrously funny chance to prove himself.
Dev who, after spurning Paro’s love due to a misunderstanding, turns to drugs and vodka for solace. Paro moves on but Dev still is in remorse. He meets Chanda, a prostitute with problems of her own. Dev likes her but his penchant for self-destruction prevents him and Chanda from truly getting together. He also meets sleazy people like Chunni, Chanda’s pimp who drags Dev further into self-destruction to further his own needs.
Newly arrived in town Nat and Gabe accept a dinner invitation from the volatile Hungarian Helene and her boorish husband Sasha. Whilst the other guests, ex-Bananarama member Marty, Angie, who ‘makes bullets’ and the supposedly suicidal Danny are affable enough, Nat and Gabe are shocked by their hosts’ very public rows and Gabe’s attempt at peace-making is awkwardly received. Nat is taken aback when virtual stranger Helene confides in her about Sasha’s suspected infidelity and Gabe is rudely rebuffed when he tries to have a heart to heart with Sasha. After Helene physically attacks her husband the newcomers are desperate to leave but when Danny drops a bombshell Gabe is torn between responsibility and the easy way out.