The life of singer-songwriter and activist Harry Chapin, who spent his fame and fortune trying to end world hunger before his tragic passing.

Cane Toads: The Conquest is a comic yet provocative account of Australia’s most notorious environmental blunder from filmmaker Mark Lewis.Shot against the harsh and beautiful landscape of northern Australia, Cane Toads: The Conquest tracks the unstoppable journey of the toad across the continent. Director Mark Lewis (Cane Toads: An Unnatural History, The Natural History of the Chicken) injects his trademark irreverence and humor into the story as he follows a trail of human conflict, bizarre culture and extraordinary close encounters.Filmed with high-resolution 3D technology, Cane Toads is the first Australian digital 3D feature film.  Custom designed equipment allows viewers to get up close and personal with these curious creatures like never before. The unique viewing experience is like being immersed in the world of the toad.

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Jesse Hughes, AKA Boots Electric, AKA The Fabulous Weapon, AKA “The Devil” – guitarist, beloved frontman of the band Eagles of Death Metal, man of God, and (possibly) aspiring conservative politician. VICE presents The Redemption of the Devil, which follows Jesse as he gets ordained as a Catholic minister, begins an intense relationship with an ex porn star, explores the political arena, and fights for custody of his only child, all while preparing for the fervently awaited release of his first album since 2008 with childhood best friend Josh Homme, frontman of Queens of the Stone Age.

Each year 40.000 people from Africa, Asia and Middle East, try to enter Europe. They flee from war, persecution and poverty. Since the ways by land have been interrupted, they board overloaded vessels and face a dangerous and often deadly voyage across the Mediterranean.

A feature-length documentary about one of the most successful British bands in rock music.

A documentary exploring the importance of revival cinema and 35mm exhibition – seen through the lens of the patrons of the New Beverly Cinema – a unique and independent revival cinema in Los Angeles.

A documentary chronicling Vogue editor-in-chief Anna Wintour’s preparations for the 2007 fall-fashion issue.

After six weeks of gruelling competition, England battle reigning champions Australia. The two teams are inseparable after eighty minutes. Deep into extra time, there are just two minutes left on the clock. England rumble to within 40 yards of the posts. The ball is sent spiralling back to Jonny Wilkinson, the golden boy of English rugby, in a split second he drop kicks for goal and a chance for sporting immortality. It is an astonishing story of pressure, expectation and courage, tracing the roots of success back to the professionalization of the game in the 90s and culminating in that glorious World Cup campaign of 2003 that turned Woodward’s poisoned chalice into a golden cup.

Alexandra came to help her mother, a newspaper sales woman, in a kiosk located in a wealthy area of Paris. From the discovery of the job to the intimacy built with the customers, the film deals playfully and generously with a number of issues, not least the media’s publishing crisis. A whole world enters this little space.

When Harvard PhD student Jennifer Brea is struck down at 28 by a fever that leaves her bedridden, doctors tell her it’s “all in her head.” Determined to live, she sets out on a virtual journey to document her story—and four other families’ stories—fighting a disease medicine forgot.

Long before O’Reilly and Beck, Morton Downey, Jr., was tearing up the talk-show format with his divisive populism. Between the fistfights, rabid audience, and Mort’s cigarette smoke always “in your face,” The Morton Downey Jr. Show was billed as “3-D television,” “rock and roll without the music.” Évocateur meditates on the hysteria that ended the ’80s and ultimately its most notorious agitator.