After his wife’s death in a car accident, Lucas Cole has become an angry, shut-down, public prosecutor trying to convict the world. He’s also become a disconnected father to his son. Then on one, fateful day everything for Lucas seems to be tested: his values, career and relationships – it’s Good Friday.
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Oft-nude blog star Elenore is winding her way through the power dynamics of a relationship with a powerful business woman when she meets Eugene, a married office drone. The two begin a peculiar pseudo-sexual relationship wrought with role playing and cloaked in a form of semi-anonymity that can only come from digitally-born casual relationships.
Between 1993 and 1999, one man robbed 29 financial institutions in Budapest. Banks, post offices and even travel agencies fell victim to his crime spree. The police had no leads and no hope of finding him during his six-year stint. The only clue left behind at the crime scenes was the distinct aroma of whiskey. The media christened him the “Whiskey Bandit”. Never physically harming anyone, many began to eagerly follow his escapades through the media. A Transylvanian immigrant, who also happened to be a goalie for one of the city’s largest hockey teams, named Attila Ambrus, was finally identified as the “Whiskey Bandit”. The police had finally captured him… or so they thought.
In Minangkabau, West Sumatera, Yuda a skilled practitioner of Silat Harimau is in the final preparations to begin his “Merantau” a century’s old rites-of-passage to be carried out by the community’s young men that will see him leave the comforts of his idyllic farming village and make a name for himself in the bustling city of Jakarta.
This multiple-Oscar-winning film by Roman Polanski is an exquisite, richly layered adaptation of Thomas Hardy’s Tess of the d’Urbervilles. A strong-willed peasant girl (Nastassja Kinski, in a gorgeous breakthrough) is sent by her father to the estate of some local aristocrats to capitalize on a rumor that their families are from the same line. This fateful visit commences an epic narrative of sex, class, betrayal, and revenge, which Polanski unfolds with deliberation and finesse. With its earthy visual textures, achieved by two world-class cinematographers—Geoffrey Unsworth (Cabaret) and Ghislain Cloquet (Au hasard Balthazar)—Tess is a work of great pastoral beauty as well as vivid storytelling.
Colombian drug kingpin Jesús Morales secretly pays for the services of a sniper nicknamed “The Devil,” capable of killing one-by-one the enemies of anyone who hires him. With no adversaries left alive, Morales grows stronger and gains control of more smuggling routes into the United States. The DEA, alarmed by this threat to the country, sends agent Kate Estrada, who has been following Morales for years, and Marine sniper Brandon Beckett to Colombia. Their mission: Kill “The Devil” and bring Morales back to the US to be tried for his crimes. The agents think they have everything under control, but Morales and “The Devil” have prepared plenty of surprises to keep the mission from succeeding.
When the young detective Paul Nerteaux finds the third slashed female corpse of illegal Turkish immigrants, he decides to ask for support to the experienced dark retired detective Jean-Louis Schiffer to chase the serial killer. Together, they infiltrate in the Turkish mafia trying to find the answer to the crimes. Meanwhile, the worker Anna Heymes is being submitted to a brain treatment and has severe headaches and glimpses of memories and visions. When these two parallel events collide, disclose that the Turkish organization “The Wolves” is behind them.