An allegory of the Golem, a Jewish mythical creature personifying displacement and exile, this film tells the story of a woman (similar to the biblical Ruth) and her sisters, who are forced into exile after the death of their husbands. It is set in 1990s Paris, where the director was living in self-imposed exile following the ban on his 1982 documentary in Israel. The recurring theme of the film is migrations and unrooting, like the legendary Golem.
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Private eye Jake Gittes lives off of the murky moral climate of sunbaked, pre-World War II Southern California. Hired by a beautiful socialite to investigate her husband’s extra-marital affair, Gittes is swept into a maelstrom of double dealings and deadly deceits, uncovering a web of personal and political scandals that come crashing together.
Restored to former glory, a nostalgic cruise ship repeats a tragic past…
Two adolescent Navajo cousins from different worlds bond during a summer herding sheep on their grandmother’s ranch in Arizona while learning more about their family’s past and themselves.
Remake of the 1948 John Wayne feature about a man who rebels against his tyrannical guardian during a crucial cattle drive.
A historic drama with musical Bollywood scenes. Kabul in the early 90s. Soviet values rule the country. Women can wear miniskirts, children can go to school and people can go to the cinema, concerts as well as universities. Life in Afghanistan is similar to life in the Western world. 14 years old Qodrat sells cinema tickets on the black market in the streets of Kabul. After selling a ticket to a secret police officer by mistake, he ends up at the Soviet orphanage, where he fakes his identity at the registration, in hope of getting more power. Everyday life for Qodrat is about friendships, falling in love, doing naughty things and going on adventures – just like it is for children in other parts of the world. However, behind the safe walls of the orphanage the world they once knew is drastically changing as the Mujahideens start the civil war.
When nerdy high schooler Dani finally attracts the interest of her longtime crush, she lands in the cross hairs of his ex, a social media celebrity.
Two thieving teenage brothers, stealing money to help their sick mom, match wits with a troubled security guard stuck at the bottom of a forgotten well.
An alcoholic barmaid is distraught when her former lover, a notorious gangster, re-enters her life. She is forced to relive painful past experiences and choose between the gangster and a pleasant singer she has found comfort in.
The story of Monica Chowdry, a National Spelling Bee champ…from 15 years ago. Life hasn’t quite panned out as expected for Monica since her big win. When her estranged older brother returns home to help care for their sick mother, the siblings must find a way to reconcile.
Based on the ’70s UK TV show, The Sweeney is an action-packed British police thriller from the director of Football Factory. Jack Regan (Ray Winstone), a hardened cop who doesn’t play by the rules, is confronted with a criminal from his past. With sidekick George Carter (Ben Drew aka Plan B) they are put on the case of a jewellery store heist that ends in a killing. But is that killing really an execution in disguise? With pressure from his boss and the fact that Regan is having an affair with that boss’s wife, it’s not going to be easy for him to stay out of trouble.
Compton’s first feature was the autobiographical Stranded, which she wrote, directed, starred in, self-financed and distributed. Released in 1965, the film shares the cinematic experimentation and stylish, youth-centric rebellion of the French New Wave made even more radical by its progressive portrayals of female independence and sexuality, beatnik culture, and discussions of homosexuality. Stranded follows Raina, a young American woman (played by Compton), traveling through Greece with her American lover (Gary Collins), and her French, gay, best friend (Gian Pietro Calasso). Raina partakes in several love affairs rejecting marriage offers for no other reason than she likes her life the way it is. Made just prior to the arrival of second wave feminism, Compton, as writer-director, never judges her on-screen alter-ego the way similar female characters were frequently punished in other films during this era by stigmatizing female sexuality.
In the near future, the southern Italian city of Taranto is surrounded by barbed wire that no one, not even the police, dares to cross. The poorest are left fighting for survival, while gangs compete for the territory. Two thirteen-year-old orphans who grew up together, dream of joining one of the gangs.
