Robert Gould Shaw leads the US Civil War’s first all-black volunteer company, fighting prejudices of both his own Union army and the Confederates.
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An old count hides just before he dies to annoy his heirs. The heirs search a manor for the count’s body and are killed off one by one. Jean-Marie, his fiancée Micheline, and Edwige investigate the deaths and search for the count’s body.
Living in her family’s secluded mansion, Audrina is kept alone and out of sight and is haunted by nightmares of her older sister, First Audrina, who was left for dead in the woods after an attack. As she begins to question her past and her disturbing dreams, the grim truth is slowly revealed.
Documentarian Richard Morris examines both the onstage and offstage lives of veteran cabaret entertainers John Wallowitch and Bertram Ross. Since 1984, Wallowitch and Ross have been a performing duo, entertaining nightclub audiences with such acid-tongued musical parodies as “If You Don’t Love Me, I’ll Kill Myself — Or Maybe I’ll Kill You” and “Don’t Do To Me What Woody Did To Mia.” Wallowitch and Ross have also been lovers for 30 years, who met while while both were active in the New York creative community; Ross spent close to three decades as a dancer with the Martha Graham company and Wallowitch is a Julliard-trained pianist and songwriter with over 1,000 compositions to his credit. Morris exmines Wallowitch and Ross both as artists and members of the gay community without patronizing or exploiting them in the process.
Follows Mary of Nazareth in her last earthly days as she helps the fractious early Church regain their original encounter with The Lord.
When a soldier’s son reveals damning information about a local gangster’s missing daughter, a war of attrition wreaks havoc on their forgotten coal mining town.
A depressed dentist in mid-life crisis tries to learn why one of his happiest patients suddenly commits suicide, and a dark comedic adventure ensues.
Meet a diverse group of men, real men across the globe all sharing the same name: James Bond. Australian director Matthew Bauer’s energetic exploration of masculine identity features a gay New York theatre director, a Swedish 007 super-fan with a Nazi past, an African American Bond accused of murder, the ornithologist whose name was stolen by author Ian Fleming to name his fictional secret agent, and two resilient women caught up in it all.
Georgia and her boyfriend Sam go on a treacherous journey to escape their country, which is caught in an unexpected war with artificial intelligence. Days away from the arrival of their first child, the couple must face No Man’s Land—a stronghold of the android uprising—in hopes of reaching safety before giving birth.
Twelve-year-old Binti was born in the Congo but has lived with her father Jovial in Belgium since she was a baby. Despite not having any legal documents, Binti wants to live a normal life, and dreams of becoming a famous vlogger like her idol Tatyana. Elias (11) runs his ‘save-the-okapi-club’ without the help of his father, who’s moved to Brazil following his divorce with Elias’s mother Christine. When their annoying neighbour invites Christine on a romantic trip to Paris, Elias, upset and angry, runs away to his treehouse. At the same time, police raid Binti and Jovial’s home, sending the two on the run, and Binti into the path of Elias. When their parents meet shortly after, Binti quickly sees the perfect solution to all her problems. If she can match her dad with Elias’ mom, they can get married and stay in Belgium.
New Jersey Drive is a 1995 film about black youths in Newark, New Jersey, the unofficial “car theft capital of the world”. Their favorite pastime is that of everybody in their neighborhood: stealing cars and joyriding. The trouble starts when they steal a police car and the cops launch a violent offensive that involves beating and even shooting suspects.
At an isolated frontier outpost, a colonial magistrate suffers a crisis of conscience when an army colonel arrives looking to interrogate the locals about an impending uprising, using cruel tactics that horrify the magistrate.
