Performed at Madrid’s historic Teatro Real in 2018, Ivor Bolton conducts Benjamin Britten’s opera based on Lytton Strachey’s 1928 Elizabeth and Essex: A Tragic History. In her repeated clashes with the Earl of Essex-a longtime favorite of the queen who was ultimately put to death for treason-Elizabeth I is depicted as flawed and vain, human and sympathetic.
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Lennie is a teen musical prodigy grieving the death of her sister when she finds herself caught between a new guy at school and her sister’s devastated boyfriend. Through her vivid imagination and conflicted heart, Lennie navigates first love and first loss.
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After a lifetime of hiding, Chely Wright becomes the first commercial country music singer to come out as gay, shattering cultural stereotypes within Nashville, per conservative heartland family and, most importantly, within herself. With unprecedented access over a two-year period, including her private video diaries, the film layers Chely’s rise to fame while hiding in the late 90’s with the execution of her coming out plan, culminating in the exciting moment when she steps into the media glare to reveal she is gay. The film shows both the devastation of internalized homophobia and the transformational power of living an authentic life. The film also documents the conflicting responses from Nashville, the heartland and the LGBT community as Chely Wright prepares for an unknown future.
Through a series of misunderstandings, Alvin, Simon and Theodore come to believe that Dave is going to propose to his new girlfriend in New York City – and dump them. They have three days to get to him and stop the proposal.
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