Marty (Alfred Molina) is a down-and-out jazz musician with colorful dreams of making it big, but right now he’s living on the edge and making small money by giving music lessons to people who don’t seem to want them. His sometimes girlfriend, Sheila (Maggie O’Neill), is a barmaid at the Rose of Sharon, a local pub owned by the hot-tempered Frank (Seymour Cassel). One day Sheila takes an old rocking chair out of the pub’s storage and gives it to Marty; he then discovers that the chair is haunted by two ghosts, a middle-aged woman named Lilly (Marianne Faithfull) and a precocious little girl named Ruthie (Rachel Bella). Ruthie seems to be from the turn of the century, but Lilly is contemporary. These easygoing souls appear to Marty and enliven his life with non-threatening pranks, but things turn serious when Marty discovers Lilly was Frank’s wife, who killed her in a fit of rage. With the help of the mortal, the ghosts plan revenge.

Two hapless waiters in a tavern on the Spanish Main play cupid between aristocratic Lady Jane and tavern co-worker Bruce Martindale, but the two bumpkins mix-up a love letter with Captain Kidd’s treasure map of Skull Island, leading to them being kidnapped and taken off to the notorious pirate’s island.

An 8-year-old girl named Peach makes a wish and wakes up to find herself transformed into an 18-year-old woman.

A young woman faces her future as a lawyer in a small New England town where the annual Christmas ice sculpting competition in which she and her father have always competed has been cancelled. Working to save the festival, she meets a reluctant sculptor who reignites her passion, in more ways than one.

Recruited to join a top-secret mission for the Air Force, a renegade pilot finds himself coping with an incompetent admiral and a carefully selected squadron of flyers who are either inept or half-blind.

Pogue is a private eye with a problem: every morning when he wakes up, he has total amnesia, waking up with a ‘blank slate’. Since he is in the middle of a hot investigation and has a developing romance, this is less than convenient.

Kath, a shy young woman, befriends Bob, the reclusive gardener at a seaside hotel where she’s getting married. Kath has never come to terms with her mother leaving home when she was eight and that her overbearing father, Ken, never talks about her. Now she is getting married to escape, only to discover that her fiancée, Steve, is completely dominated by Ken as well. Bob is a gentle, eccentric man with a dry sense of humour and a troubled past. He spent a long time in prison and in the years he’s worked at the hotel he has never ventured beyond the gardens, which he tends with obsessive care. Kath sparks a connection to an unresolved relationship from Bob’s past with a girl called Louise which resonates so strongly that he feels compelled to leave the safety of the hotel and confront his past.

A Scotland Yard inspector and his reporter friend arrive on vacation in a small village and are immediately involved in what is claimed to be a murder but the body has disappeared, leaving it to the inspector to find the body, determine the motive and find the killer.

As a young New York couple goes from college romance to marriage and the birth of their first child, the unexpected twists of their journey create reverberations that echo over continents and through lifetimes.

Ben wields a knife on stage, grabs an audience member’s head by his ears, stares down into his soul, and screams “I was on extended basic cable television!” Ben howls out to the audience with an eccentric enthusiasm – and they howl back and echo the same feral and carnivorous energy that earned this special the apt name, “Hyena”. With audience in tow, he rants about the downfall of American society and how letting go may be our last hope in this chaotic yet surprisingly optimistic view of our inevitable demise and the cackling laughter we can enjoy while watching it die.

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An ominous dream convinces 77-year-old Dayanand Kumar that his end could be near. He takes the news to his son Rajiv, knowing he wants to breathe his last in the holy city of Varanasi and end the cycle of rebirth, by attaining salvation. Being the dutiful son he is, Rajiv is left with no choice but to drop everything and make the journey with his stubborn father. Daya and Rajiv check into Mukti Bhawan (Hotel Salvation) in Varanasi, a guesthouse devoted to people who want to die there. But as the days go by, Rajiv struggles to juggle his responsibilities back home, while Daya starts to bloom in the hotel. Rajiv gives his father a shot at salvation but as family bonds are tested, he finds himself torn, and not knowing what he must do to keep his life together.