When a riot breaks out in Milwaukee, America’s most segregated city, medical transport driver Vic is torn between his promise to get a group of elderly Russians to a funeral and his desire to help Tracy, a young black woman with ALS.
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Eliska’s husband has left her for a younger woman. She is childless, in her early forties, yet still attractive. Till then she had taken care of her successful husband, but now she has to start anew without his financial support. Eliska starts teaching at a local village school. Since she can’t find a lodging, she moves to a former morgue. The small house is already occupied by a quirky and grumpy graveyard keeper named Bozicek. Their house sharing leads to a series of comical conflicts, but they eventually fall in love and Eliska proves to her ex-husband that she is able to stand on her own.
Gyun-woo is having difficulty forgetting the sassy girl. He then reunites with his childhood sweetheart, an elementary school classmate from China who was often teased about her broken Korean. They marry despite family opposition, and Gyun-woo has no idea what marriage has in store for him.
After two pregnancies, Sonja struggles with her body feeling and the relationship with her husband Milan. Frauke, shortly before her 60th birthday, shares this fate and feels almost invisible to her husband. Daughter Julie is working on her modeling career, but a flaw is discovered on her body again and again …
Adult Camp is a comedy about the bumpy road to personal growth. A group of men and women, strangers to each other, choose to spend a different kind of summer holiday week by traveling to the beautiful Turku archipelago to participate in an inviting, upgraded version of an adult camp. When they discover that the galloping horses from the camp’s sales video are just symbols of a free mind, and the guru of the camp takes off to witness his dog in labour, the participants are forced to examine themselves and each other to find the necessary elements for growth. Perhaps the camp doesn’t fulfill its promise of the “most wonderful week of your life”, but one thing’s for sure – no one returns home the same.
An action/comedy about two offbeat filmmakers reuniting the Asian bad guys from action films from the 80s and 90s, to carry off one impossible mission.
In this cult film, Azure St. Clair, a neurotic vampiress who is deathly allergic to blood, must protect her only source of food, the VAMPIE (a vampire pie), from a dark vampiric order that wants to use the powers of this deadly pie to revive the dead and enslave the world.
Known for always saying the unexpected and telling it like it is, even at the expense of offending, Louisiana comedian Theo Von returns home to film his first stand-up comedy special for Netflix at the Civic Theater in New Orleans.
When a family moves into a San Francisco apartment, an opportunistic troll decides to make his move and take possession of little Wendy (Jenny Beck), thereby paving the way for new troll recruits, the first in his army that will take eventual control of the planet. We soon discover Torok is the ex-husband of Eunice St. Clair, a resident in the building who was married to Torok.
A big new home, a lovely wife and a new job seem to steer Henrik firmly towards the middle age and a bourgeois lifestyle. There is, however, a substantial amount of boyish prankster still in him – sometimes a little bit too much. Director Martin Lund’s understated, offbeat humour often evokes Bent Hamer’s delightful studies of lone males (O’Horten, Kitchen Stories)
