A business woman who creates the perfect marriage proposals for wealthy men, becomes the target of a crazy client’s obsession when she shows him compassion after his girlfriend publicly rejects him.
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When a 747 crashes shortly after take-off, the sole survivor is the pilot. Virtually unhurt, he and the investigators look for the answers to the disaster. Meanwhile mysterious deaths occur in the community and only a psychic, in touch with the supernatural, can help the pilot unravel the mystery surrounding the doomed plane.
An oily, amoral estate agent is preyed upon by one of his victims, who quietly moves into his flat and, unseen, begins a deliciously malicious campaign of revenge.
Terrorized at multiple stops on a road trip to Joshua Tree, three friends realize something unexpected is pulling the strings.
Two sisters discover a dark secret while making a documentary about mediums for a college final.
A Danish family visits a Dutch family they met on a holiday. What was supposed to be an idyllic weekend slowly starts unraveling as the Danes try to stay polite in the face of unpleasantness.
A serial killer, whose victims are men with similar pasts, is tracked by a policewoman.
Luke Palmer, a Los Angeles widower, has been in therapy for a year since his wife’s accused killer was found Not Guilty at trial. In an attempt to get away from his anguish, Luke takes a trip to Scottsdale for a three-day vacation, but is kidnapped and awakens to find himself in a room with a recording device…and an electrified restraining chair. The next thing Luke knows, a hooded man is dragged into the room and secured in the chair. The hood is removed to reveal Galen Terry, the man acquitted for Luke’s wife’s murder. An ominous voice comes over a loudspeaker and says “My name is Justice. You are here to retry the case of California vs. Terry for the murder of your wife… The defendant’s chair is electrified. The electricity is controlled by the red button. Feel free to use it.”
Behind the Sightings follows Todd and Jessica Smith, two filmmakers from Raleigh in North Carolina, who set out to produce a documentary exploring the highly publicized, creepy clown sighting epidemic, which was investigated by local law enforcement. As the young married couple venture into Peachtree Way, Nash County, in search of clowns, what they found was far from funny.
Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
City lawyer Brad Walker (Matt di’Angelo) is having the worst day of his life. His high-maintenance girlfriend Sasha (Anna Passey) has left him for his so-called friend Tom (Christian Brassington) and to add insult to injury, he’s been fired too. On a night out drowning his sorrows with old friend Dean (Jeff Leach), he overhears a conversation between Phil (Darren Ripley) and Ben (Stephen Marcus) – two drug dealers working for small-time gangster Jack (Alan Ford) – that will change his life forever…
John McClane is an off-duty cop gripped with a feeling of déjà vu when on a snowy Christmas Eve in the nation’s capital, terrorists seize a major international airport, holding thousands of holiday travelers hostage. Renegade military commandos led by a murderous rogue officer plot to rescue a drug lord from justice and are prepared for every contingency except one: McClane’s smart-mouthed heroics.