A successful but isolated artist, struggling with agoraphobia, has her life turned upside down when one of her works of art comes to life. At first, she joyfully accepts this reprieve from her self-imposed exile, but her new friends are not all they seem, and her small world starts to come apart as her fear of the outside comes into conflict with her new creations and their need for freedom.
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Seventeen year old, Emma joins a high school cheerleading team when she moves to Australia with her dad who is a former Air Force Officer.
Fourteen years after graduation, a group of college friends convenes one weekend for a bridal shower for one of their own. The principal character, Joss (Gabrielle Anwar), and her freshman year roommate and best friend in college, Cait (Thea Gill), have been estranged for years, ever since Joss learned that her fiancé had been visiting Cait on the night he died in a motorcycle accident. As part of a recovery program, Cait wants to make up with Joss, but she dies before she can explain. Was her death an accident, a suicide, or something more sinister?
Gangjae’s normal family life is turned upsdie down when he falls for a young yoga teacher. Gangjae has got it all, a loving wife, adorable children, and a high-paying position. But he yearns for something more. When the teacher breaks off the affair, marrying another man, Gangjae longs for her, ten years on.
Claire is a young mother and married to Georges, but she is also having an affair with bachelor Antoine, who is being kept by her good friend Madeleine, a wealthy fashion designer. But the meetings at Antoine’s apartment, five afternoons a week, come to a halt when their partners learn the truth.
The life of a young man, son of an English officer who lets himself become a prisoner of love resulting in fatalism and disgrace.
Ana is confronted with body and desire at three key moments of her life. As a young girl, she brings her dead grandpa back to life. In her puberty, she discovers the power of decay and sexuality. Finally, she wrestles with loss and loneliness when she returns to her parental home, now derelict.
Director F.W. Murnau (John Malkovich) makes a Faustian pact with a vampire (Willem Dafoe) to get him to star in his 1922 film “Nosferatu.”
An 80-year-old actress returns to the small Chilean town of her youth to fulfill her father’s dream of creating a TV channel in a place which has never known television.
By 1933, Prohibition has proven a booming enterprise, where average citizens break the law, hide in the shadows and operate at night. The new world order has even lined the pockets of corrupt cops like Jack Malone. He collects a ‘luxury tax’ from every bootlegger and scofflaw in the small town he has sworn to protect. While shaking down the newest speakeasy in the local underground, Jack and his men uncover a clan of vampires hell bent on taking over the town. Now Chesterfield, an ancient vampire, and his horde must hide their secret at any cost. The bloody result leaves several bodies and innocent townsfolk taken as lambs to await the slaughter. With nowhere else to turn, Jack joins forces with a busboy and a crazy preacher to save the town and make a final stand against Chesterfield and his vampires.
A Secret Service agent nabs a scalpel-happy doctor who runs drugs in caskets.
The strangest thing about this story is that it’s true. In 1952, Argentina’s beloved First Lady, Eva Perón, died of cancer at the age of thirty-three. A renowned embalmer was commissioned by the grieving Juan Perón to preserve her body for display, and Argentines flocked to be near “Evita.” Three years later, when his government was overthrown by a military coup, Perón fled the country before he could make arrangements for the transportation of his wife’s body. The military junta now in control kidnapped the corpse; so afraid were they of Eva’s symbolic power that they even made it illegal to utter her name. Thus began the two-decade journey of Eva’s body throughout Europe and eventually back to Argentina.
