Gerrard Winstanley is the leader of a 17th Century religious group that believes the land should be owned communally. His convictions bring him into conflict with both the state and the church.

Richie Bravo, once upon a time a successful pop star, chases after his faded fame in wintry Rimini. Trapped between permanent intoxication and concerts for busloads of tourists, his world starts to collapse when his adult daughter breaks into his life.

A famous model, trapped inside an upside-down car, reaches a mysterious man on her damaged cell phone. However, roadside assistance is the last thing on the stranger’s mind.

Two teams are in a heated race for the money and the honor that comes with breaking the land speed world record.

A troubled actor begins to unravel while shooting a supernatural horror film, leading his estranged daughter to wonder if he’s slipping back into his past addictions or if there’s something more sinister at play.

Walkover, the autobiographical second feature by Polish enfant terrible Jerzy Skolimowski echoes the French nouvelle vague in its extraordinarily stylized tale of a prizefighter who ducks a fight to romance a beautiful blonde.

NIGHT BUG (dir. by Kim Tae-Yong) Han-Jae meets gay men at a bar in Jongno District, Seoul. He first meets them through an internet site. Once they get drunk, Han-Jae steals their money. He is accompanied by Hoon and pretends he is his boyfriend. Hoon is popular, but Han-Jae ignores Hoon’s feelings for him. One day, Hoon suddenly kisses Han-Jae. ONE NIGHT (dir. by Kim Jho Gwang-Soo) Geun-Ho is almost hit by a car. At that time, Joon, who is visiting Jinju from Seoul, saves Geun-Ho. They happen to meet at a bar later that night. Geun-Ho and his friends goes to Seoul with Joon.

Based upon Tyler Perry’s acclaimed stage production, Madea’s Family Reunion continues the adventures of Southern matriarch Madea. She has just been court ordered to be in charge of Nikki, a rebellious runaway, her nieces, Lisa and Vanessa, are suffering relationship trouble, and through it all, she has to organize her family reunion.

Selfish, separated parents Amber and Cameron are forced to put their starry-eyed career ambitions on hold when Amber suddenly finds herself homeless and Cameron begrudgingly agrees to look after their 6-year-old daughter.

A monster stalks the corridors of an abandoned mansion, targeting those curious enough to find themselves inside. Two friends break in and discover that all exits have been sealed off. The creature that hunts them is growing hungry for their blood and there is no escape…

A shared love of fish leads to a variety of romantic predicaments in this offbeat comedy from writer and director Doris Dörrie. Otto (Christian Ulmen) and Leo (Simon Verhoeven) are two men from Germany who have launched a successful business in which they import koi, the beautiful Japanese fish, for collectors in their native land. While on a business trip to Japan, Otto and Leo meet Ida (Alexandra Maria Lara), a German tourist who is studying fashion design. Ida begins traveling with the two men, and surprisingly develops an infatuation with the rumpled Otto instead of the handsome Leo. When Ida discovers she’s pregnant with Otto’s child, the two marry, and upon their return to Germany, Ida attempts to join in the business by creating a line of scarves decorated with koi patterns. However, the honeymoon proves short-lived, and Ida’s presence creates a rift between Otto and Leo, as the latter sets up his own concern, raising koi with his new bride, Yoko (Young-Shin Kim).

When their father passes away, four grown, world-weary siblings return to their childhood home and are requested — with an admonition — to stay there together for a week, along with their free-speaking mother and a collection of spouses, exes and might-have-beens. As the brothers and sisters re-examine their shared history and the status of each tattered relationship among those who know and love them best, they reconnect in hysterically funny and emotionally significant ways.