The life and career of one of comedy’s most inimitable modern voices, Mr. Gilbert Gottfried.
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Follow actress Kate Lyn Sheil as she prepares for her next role: playing Christine Chubbuck, a Florida newscaster who committed suicide live on-air in 1974. As Kate investigates Chubbuck’s story, uncovering new clues and information, she becomes increasingly obsessed with her subject.
What happens when a screenwriter (Brooks) loses his edge, he turns to anyone he can for help… even if it’s the mythical “Zeus’s Daughter” (Stone). And he’s willing to pay, albeit reluctantly, whatever price it takes to satisfy this goddess, especially when her advice gets him going again on a sure-fire script. However, this is not the limit of her help, she also gets the writer’s wife (MacDowell) going on her own bakery enterprise, much to the chagrin of Brooks, who has already had to make many personal sacrifices for his own help.
In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte is daughter and son, grandmother and grandfather; father of three, though orphaned of one. Laerte is the one who walks their daughter down the aisle as father and woman; who, even without a uterus, gestates. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.
RAGAMUFFIN is based on the true story of Rich Mullins, a musical prodigy who rose to Christian music fame and fortune only to walk away and live on a Navajo reservation. An artistic genius raised on a tree farm in Indiana by a weathered, callous father, Rich wrestled all of his life with the brokenness and crippling insecurity born of his childhood. A lover of Jesus and a rebel in the church, Rich refused to let his struggles with alcoholism, addiction and women tear him away from a God he was determined to love. As he struggled with success in Nashville, depression in Wichita, and oblivion in the Four Corners, Rich became one of the first of his time to live honestly amidst a culture of religion and conformity.
Upon his release from a mental hospital following a nervous breakdown, the directionless Anthony joins his friend Dignan, who seems far less sane than the former. Dignan has hatched a hair-brained scheme for an as-yet-unspecified crime spree that somehow involves his former boss, the (supposedly) legendary Mr. Henry.
As not-quite-orderlies who’re downright Disorderlies, rap-music favorites The Fat Boys rule. Playing the freewheeling caretakers of the frail Dennison (Hollywood legend Ralph Bellamy), they stir up a comedic culture clash in Palm Beach society that only proves laughter is the best medicine this side of a tax refund.
Jack is a loser who’s in love with a girl who doesn’t even know his name. His luck changes after finding the book. When he reads it, good things happen to him, but if a whole day goes by without reading the book, horrible things happen.
Based on Gordon Korman’s book ‘Swindle,’ this movie is about a boy named Griffin who finds a valuable multi-million dollar baseball card. After accidentally selling the card for a million dollar loss, he enlists the help of his best friend Ben and his colleagues to regain the baseball card.
Elton had a mysteriously affair with Sia, Casey turned herself into a love expert after the heartbreak of Elton’s cheat. The unfortunate couple accidentally encounters each other after 10 years.
Val has reached a place where he feels the only way out is to end things. But he considers himself a bit of a failure—his effectiveness lacking—so he figures he could use some help. As luck would have it, Val’s best friend, Kevin, is recovering from a failed suicide attempt, so he seems like the perfect partner for executing this double suicide plan. But before they go, they have some unfinished business to attend to.
The cameras of Jacques Perrin fly with migratory birds: geese, storks, cranes. The film begins with spring in North America and the migration to the Arctic; the flight is a community event for each species. Once in the Arctic, it’s family time: courtship, nests, eggs, fledglings, and first flight. Chicks must soon fly south. Bad weather, hunters, and pollution take their toll. Then, the cameras go
