A social media Vblogger and his close friends find themselves the victims of an unending series of pranks after opening a mysterious package sent from an online friend, pranks that soon take a more sinister and deadly turn.
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Surrounded by carnage, slaughter, brutal crashes and total mayhem, Shawn Black is in a race to save the world from pure evil.
Bound for a remote planet on the far side of the galaxy, the crew of the colony ship ‘Covenant’ discovers what is thought to be an uncharted paradise, but is actually a dark, dangerous world – which has its sole inhabitant the ‘synthetic’, David, survivor of the doomed Prometheus expedition.
A tough female reporter and her cameraman boyfriend team up with a four-man commando unit in the New Guinea jungle whom are fighting flesh-eating zombies. NB: Not to be confused with the 1981 American-made film with the same title.
When professional gamer Hana, who suffers from acute agoraphobia, receives new equipment that enhances her game, she begins to wonder if it is reading her mind – or controlling it.
A twisted new tale of terror begins for a teenage girl and her family, predating the haunting of the Lambert family in the earlier movies and revealing more mysteries of the otherworldly realm The Further.
After the premature death of her estranged husband, Emma (Winter) regains custody of their young daughter Isla (Jones) and hopes to rebuild their relationship after many years apart. But when an evil entity begins to torment them, mother and daughter are forced to face the inexplicable presence that inhabits the walls of their new home.
Celebu-chef Peter Rake escapes a scandal for a weekend at his family’s isolated vacation home, but there are debts to repay and Peter has to learn the lesson that a woman’s place is anywhere that she chooses to be… if he survives.
Turkish director Hasan Karacadag is something of an unusual case. In a nation that appears uncertain how to feel about its own history with exploitation film and generally reluctant to embrace genre film – though there are obvious exceptions – Karacadag has jumped headlong into the horror pool. The director first came to attention with the J-horror influenced D@BB, a surprise hit in Turkey that allowed Karacadag to move on to the more visually ambitious – and effects heavy – effort, Semum. Both film showcased Karacadag’s growing ability to shock and terrify his audiences by taking the rich folklore of his country and pushing it to its dark extremes. And he’s at it again with D@BB: Bir Cin Vakasi. The sequel to his original hit, this latest efforts puts away the Japanese influence in favor of a more Paranormal vibe, but the underlying mythology remains purely regional with the story following a Turkish family whose home is possessed by angry jinns
In a near future, normal life on Earth has been decimated. Paul and his two sons, Thomas and Joseph, have been living a half-life – tranquility by day and torment by night. Every night, after the sun sets, they face the unrelenting attacks of a mysterious and violent evil. One day, when Thomas doesn’t return home before sundown, Paul must leave the safety of their fortified farm to find him. A nightmarish battle ensues that forces the family to execute a desperate plan to survive.
As a young child Luther The Geek or “The Freak” witnesses a band of men goading a geek (a man who bites off chicken’s heads and drinks the blood) into performing. In the ensuing hullabaloo, Luther bites his lip and likes the taste of blood. Flash forward some thirty years and a parole board is meeting to discuss Luther’s release. It seems the cheeky blighter has been murdering folk in the meantime. A dopey parole board trainee sides with the liberals and so Luther is unleashed, except now he has a special pair of customized metal teeth. Luther then proceeds to “bite the heads off” of many hapless folk until the tense ending. This movie is most notable for it’s bare dialog, whole stretches pass without a sound. Most of the audio is composed of Luther clucking insanely like a chicken.
