A lovable calf named Annabelle born on Christmas Eve has a very special wish… to fly like one of Santa’s reindeer. Based on the farm legend that Santa gives voices to the animals for one day each year, this tender tale of friendship and compassion begins when Annabelle makes friends with Billy, a young boy who cannot talk, and a friendly bunch of barnyard animals. Together they contend with Billy’s mean aunt and the bullies in the neighborhood. Annabelle shows everyone the true meaning of Christmas by making one very special wish come true.

On a quest to find out what happened to his missing brother, a scientist, his nephew and their mountain guide discover a fantastic and dangerous lost world in the center of the earth.

Follows the story and reality of Edmund Kemper, who appears to be a gentle giant who offers rides to young female hitchhikers, but is actually a perverted monster with a tormented childhood and dark sexual fantasies.

When a teenager receives a mysterious letter in the mail, she sets out to find the author. It’s a journey that will change her life forever.

On April 2nd 2011, LCD SOUNDSYSTEM played its final show at Madison Square Garden in New York City. LCD Frontman James Murphy, disbanding one of the most celebrated and influential groups of its generation at the peak of its popularity, ensured that the band would go out on top with the biggest concert of its career. The instantly sold out, near four-hour extravaganza featured special appearances by Arcade Fire and Reggie Watts and moved the crowd of thousands to tears of joy and grief. SHUT UP AND PLAY THE HITS both captures this once-in-a-lifetime event with stunning visuals and serves as an intimate portrait of Murphy as he navigates the 48 hours surrounding the show. Woven throughout is an honest and unflinching conversation between Murphy and author Chuck Klosterman as they discuss music, art, aging, and the decision to call it quits while at the top of your game.

Alice follows a white rabbit down a rabbit-hole into a whimsical Wonderland, where she meets characters like the delightful Cheshire Cat, the clumsy White Knight, a rude caterpillar, and the hot-tempered Queen of Hearts and can grow ten feet tall or shrink to three inches. But will she ever be able to return home?

From the 1930’s to the 1970’s, pretty well every comedian or comic you might see on TV or the movies was Jewish. Jews came to dominate the world of western‐society comedy on radio, stage and screen alike.Why did Jews dominate comedy in this period? And why did that domination end? Were Jews just funnier back then? And if so, did that extend to your average Jew on the street? In this 90 minute documentary acclaimed director Alan Zweig will examine these questions and many others in this exploration of 20th century humour, cultural decay, and a search for a missing heritage.

Documentary about Down’s syndrome and the ethics of pregnancy screening, fronted by Sally Phillips. This film explores the science and thinking around the proposed new screening test for Down’s syndrome and its possible availability on the NHS. Driven by the experience of raising her son Olly, who has Down’s syndrome, Sally explores some of the ethical implications of our national screening policy. By talking to experts in the Down’s syndrome community, the world’s top scientists and including people with Down’s syndrome in the debate, Sally investigates a thorny subject that begs questions relevant to us all: what sort of world do we want to live in and who do we want in it?

A deep dive into the 1980’s war on drugs that led directly to the three-strikes laws that locked up even petty offenders for lifetime sentences.

Seven disgusting kids but nevertheless of interesting personality are being made of the green mud coming out of garbage can. Once alive their master gives them rules to obey although they think that life is funnier without following stupid regulations like no television or no candy. Naturally this will cause some conflicts.

Documentary about legendary Paramount producer Robert Evans (the film shares the same name as Evans’s famous 1994 autobiography).

During the time of the Stolen Generations, thousands upon thousands of Aboriginal girls were taken from their families and pressed into domestic servitude by the Australian Government. They were supposedly employed as servants, but with total control over their movements, wages and living conditions, their lives all too frequently became an inescapable cycle of abuse, rape and enslavement, with consequences that echo powerfully to this day. Recounting the stories of five of these women – Rita, Violet and the three Wenberg sisters – Servant or Slave is a commanding piece of first-person testimony to a dark and unacknowledged corner of Australian history. Shot with admirable craft and humanity by documentarian Steven McGregor (Croker Island Exodus, MIFF 2012), Servant or Slave is a work of great sadness and urgency, bringing to forceful life the human tragedy of Australia’s Indigenous history in the unadorned words of those who lived it.