The story of four adults with autism spectrum disorders as they search for and manage romantic relationships.

Richard Pryor’s impact on the craft of comedy and today’s top comics is legendary and unrivaled. This program surveys the profound and enduring influence of one of the greatest American comics of all time.

The Business of Recovery examines the untold billions that are being made off of families in crisis. With little regulation or science, addiction treatment has become a cash cow business that continues to grow while deaths pile up.

The sensational follow-up to “London in the Raw,” “Primitive London” sets out to reflect society’s decay through a sideshow spectacle of 1960s London depravity—and manages to outdo its predecessor. Here, we confront mods, rockers and beatniks at the Ace Café, cut some rug with obscure beat band The Zephyrs, smirk at flabby men in the sauna and goggle at sordid wife-swapping parties as we discover a pre-permissive Britain still trying to move on from the post-war depression of the 1950s.

How do perfectly ordinary, normal people cope with the extraordinary challenge of an embarrassing, provocative, famous or unbelievable name? This documentary examines the phenomena of “strange names.”

Lying on the remote north west coast of England is one of the most secret places in the country – Sellafield, the most controversial nuclear facility in Britain. Now, Sellafield are letting nuclear physicist Professor Jim Al-Khalili and the television cameras in to discover the real story. Inside, Jim encounters some of the most dangerous substances on earth, reveals the nature of radiation and even attempts to split the atom. He sees inside a nuclear reactor, glimpses one of the rarest elements in the world – radioactive plutonium – and even subjects living tissue to deadly radiation. Ultimately, the film reveals Britain’s attempts – past, present and future – to harness the almost limitless power of the atom.

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

The story follows an anti-poaching ranger in Zululand Reserve in his fight to save rhino’s at the peak of the poaching season. As he is alerted of another mother rhino massacred for her horn, he now turns his full focus to finding a rhino cub that will die if not saved in the next 24hrs. This documentary highlights not only the importance of stopping the massacres of rhino poaching but the hope of saving the young and the species in the future by coming together and mixing all efforts that allow the rhinos to stay alive.

The pond. This is where hockey was born-under the open sky-where the ice is gritty and so is the play. For generations, Northlanders have grown up on outdoor ice. But, there are new climate- controlled arenas in every town, and that’s where the kids go to practice year-round now.

Dubbed “The Cannibal Cop,” former NYPD officer Gilberto Valle was convicted of conspiring to kidnap and eat women in March 2013. Valle had argued it was all a fantasy, but the prosecution’s narrative convinced jurors otherwise. His story made headlines not only for its chilling details, but also because of its landmark decision regarding a man many consider “patient zero” in a growing thought-police trend across the nation. Featuring unprecedented, intimate interviews with Valle and his family, as well as insights from lawyers, journalists, psychological professionals and criminal experts, THOUGHT CRIMES: THE CASE OF THE CANNIBAL COP explores this complicated case, asking if someone can be found guilty for his or her most dangerous thoughts.

Two versions of the American dream now stand in sharp contrast. One views the money you earned as yours and best allocated by you; the other believes that an elite in Washington knows best how to allocate your wealth. One champions the traditional American dream, which has played out millions of times through generations of Americans, of improving one’s lot in life and even daring to dream and build big. The other holds that there is no end to the “good” the government can do by taking and spending other peoples’ money in an ever-burgeoning list of programs. The documentary film I Want Your Money exposes the high cost in lost freedom and in lost opportunity to support a Leviathan-like bureaucratic state.

Over the past 25 years, Lauren Greenfield’s documentary photography and film projects have explored youth culture, gender, body image, and affluence. In this fascinating meld of career retrospective and film essay, Greenfield offers a meditation on her extensive body of work, structuring it through the lens of materialism and its increasing sway on culture and society in America and throughout the world. Underscoring the ever-increasing gap between the haves and the have-nots, her portraits reveal a focus on cultivating image over substance, where subjects unable to attain actual wealth instead settle for its trappings, no matter their ability to pay for it.